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Life, Literature and Fictional Memories in Perec’s Narratives

100%
Ielpo R.
Lublin Studies in Modern Languages and Literature
|
2016
|
vol. 40
|
issue 2
DE
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
EN
In 1975, Georges Perec published W ou le souvenir d’enfance, a work that is both fictional and autobiographical, and in which there are two different systems of enunciation side by side, thus opposing the distinction drawn by Gérard Genette between fiction and diction. In his book, Perec shows this undecidability between the imperative of narrating that which he hasn’t lived and the complete impossibility of such narrative. By developing a narration strategy based on a certain use of fiction, Perec tries to face his lack of memories. This paper aims at analyzing how these two systems operate in order to create a double space where author and narrator get mixed up, creating a game in which the subject can only exist at the risk of his complete dissolution.
FR
Le numéro contient uniquement les résumés en anglais.
RU
Том не содержит аннотаций на английском языке.
2
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La démarche brechtienne dans la construction de l’espace perecquien

100%
Ielpo R.
Cahiers ERTA
|
2013
|
issue 3
159-174
EN
During a lecture delivered in Warwick in 1967, Georges Perec said that he had been influenced by Brecht’s aesthetics. According to Perec, he borrowed from the playwright the notion of “alienation effect”. This article analyzes the importance of this loan for the spatial composition that organizes the distancing games present in the novel La Vie mode d’emploi, written by Perec in 1978.
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