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Pamiętnik Literacki
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2015
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vol. 106
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issue 4
5-25
PL
Artykuł prezentuje myślenie Norwida o podmiotowości. Zrekonstruowana zostaje tak konstelacja wypowiedzi poety na ten temat (związanych m.in. z formułą oryginalności i krytyką roszczeń nowoczesnego podmiotu), jak i ujawniająca się w utworach autora "Vade-mecum" poetyka epifanii (w rozumieniu Charlesa Tylora), skomplikowana, odkrywająca pragnienie epifanii tradycyjnej, realizująca się w epifanii romantycznej, zbliżająca się do nowoczesnej. Norwidowskie ujęcie podmiotowości okazuje się paradoksalne. Ograniczeniu mocy podmiotu – przyznanej przez nowoczesność – towarzyszy, w tym ujęciu, położenie nacisku na wysiłek, pracę „ja” odkrywającego głęboki, sakralny wymiar rzeczywistości.
EN
The article presents Norwid’s thought on subjectivity. It reconstructs both the poet’s make-up on the issue in question (connected, inter alia, with a formula of originality and with criticism of modern subject claims) as well as disclosed in Norwid’s poetry poetics of epiphany (in Charles Taylor’s view) – complex, revealing a desire to traditional epiphany, realised in romantic epiphany and moving towards modern one. The poet’s approach to subjectivity proves, however, paradoxical. Limitation of the subject’s power granted by modernity is accompanied in this view an emphasis put on the effort, on the work of “I” disclosing a deeply sacral dimension of reality.
EN
The article describes the relationship of early romantic criticism to the problem of Other-ness. It shows the areas in which the Otherness was experienced by romantics (folk culture, national culture and foreign national cultures) and hermeneutical principles of this experi-ence. It also points the problem of dialectic, which subordinates Otherness to own values by seeking unity in diversity.
EN
The article discusses the concept of barbarian and barbarism in Mickiewicz’s Paris Lectures. The orientalisation of the Slavs by Herder and Hegel provides the context for this study. The author of the article presents how Mickiewicz originates his language from the works of Herder—who describes the Slavs as an idyllic nation, connected with the countryside—and later outlines the vision of the Slavs as a nation of power that wants to change the history of the 19th century.
EN
The article is devoted to reading Juliusz Słowacki’s Anhelli [Anhelli] in the perspective of the “antagonism between the bards”. It illustrates the influence of the interpretation of Mickiewicz’s messianic work on the reading of the poem written by the younger poet.
PL
Artykuł jest poświęcony lekturze Anhellego Juliusza Słowackiego w perspektywie „antagonizmu wieszczów”. Ukazany zostaje wpływ interpretacji mesjanistycznego dzieła Mickiewicza na odczytanie poematu młodszego poety.
PL
The article presents Mickiewicz’s subversive project connected with the intention to exchange the old cultural centre by a new centre, designed by the author. The project evolves around Dziady (“Forefathers’ Eve”), beginning from their Vilnius-Kaunas part; the poet returns to it in his Parisian lectures. The project, based onwhat is provincial, is realized through the construction of tradition, being the search for power.
6
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LUSTRA IMAGOLOGICZNE MICKIEWICZA

100%
Porównania
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2017
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vol. 20
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issue 1
39-51
EN
The article discusses Mickiewicz’s imagological discourse. It served to construct projects related to culture and literature and more broadly to the identity relating to the vision of Poland and Slavia. This discourse is changing and heterogeneous. It involves not only a reflection of the romantic thinking about the nation and nationalities but also the testimony of inventing national traditions under oppression, threats of nation deprived of state existence.
PL
Artykuł poświęcony jest Mickiewiczowskiemu dyskursowi imagologicznemu. Służył on poecie do konstruowania projektów – tak związanych z kulturą oraz literaturą, jak i szerzej: tożsamościowych, odnoszących się do wizji Polski i Słowiańszczyzny. Dyskurs ten ma charakter zmienny i heterogeniczny. Stanowi nie tylko odbicie romantycznego myślenia o narodzie i narodowości, ale i świadectwo wynajdywania tradycji narodowej w sytuacji opresji, zagrożenia egzystencji narodu pozbawionego państwa.
7
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Konstelacja Janion

100%
Porównania
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2021
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vol. 28
|
issue 1
581-593
EN
The article is devoted to the creative path of Maria Janion – the integral scientific, cultural and existential project she was constructing.
PL
Artykuł poświęcony jest drodze twórczej Marii Janion – konstruowanemu przez nią integralnemu projektowi naukowemu, kulturowemu i egzystencjalnemu.
EN
The article presents one of the aspects of Norwid’s attitude towards modernity – it is the vision of the city, especially of Paris, in the poet’s works, mainly in his letters. As it turns out, the author only to a slight degree is interested in his contemporary cities, even in the one in which he has come to spend a considerable part of his life, and which was becoming the capital of the modern world at that time. He ignores the phenomena connected with the modernity that is being formed within the town. On the other hand he writes about old cities, he draws the reader’s attention to municipal libraries and art galleries. He thinks about the contemporary city in the moralist religious and historical perspective, criticizing ethical consequences of urbanization, that in his opinion are destructive. Such an attitude reveals the poet’s specific relation towards the processes of modernization – it should be added: the relation close to  Romantics, – that is ambivalence and anxiety connected with experiencing them. It also shouldbe noted that Norwid’s reflection connected with modernity is predominantly concerned with the question of the outlook on the world, and to a lesser degree – with the material experience of modernization.
EN
The article presents one of the aspects of Norwid’s attitude towards modernity – it is the vision of the city, especially of Paris, in the poet’s works, mainly in his letters. As it turns out, the author only to a slight degree is interested in his contemporary cities, even in the one in which he has come to spend a considerable part of his life, and which was becoming the capital of the modern world at that time. He ignores the phenomena connected with the modernity that is being formed within the town. On the other hand he writes about old cities, he draws the reader’s attention to municipal libraries and art galleries. He thinks about the contemporary city in the moralist religious and historical perspective, criticizing ethical consequences of urbanization, that in his opinion are destructive. Such an attitude reveals the poet’s specific relation towards the processes of modernization – it should be added: the relation close to Romantics, – that is ambivalence and anxiety connected with experiencing them. It also shouldbe noted that Norwid’s reflection connected with modernity is predominantly concerned with the question of the outlook on the world, and to a lesser degree – with the material experience of modernization.
EN
This article is a review of the book by P. Abriszewska Literacka hermeneutyka Cypriana Norwida [Cyprian Norwid’s literary hermeneutics]. The book discusses the previous research of the issue, taken in the context of the Romantic, the 19th-century and the 20-th century hermeneutic thought. The review focuses on the reconstruction of the diversified and multilateral hermeneutic approaches to Norwid’s works proposed by the author of the publication. These hermeneutic approaches are linked with culture, literature, history and – to the smallest extent – with nature; all of them being part of the poet’s oeuvre.
11
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Towards Norwid’s hermeneutics

100%
EN
This article is a review of the book by P. Abriszewska Literacka hermeneutyka Cypriana Norwida [Cyprian Norwid’s literary hermeneutics]. The book discusses the previous research of the issue, taken in the context of the Romantic, the 19th-century and the 20-th century hermeneutic thought. The review focuses on the reconstruction of the diversified and multilateral hermeneutic approaches to Norwid’s works proposed by the author of the publication. These hermeneutic approaches are linked with culture, literature, history and – to the smallest extent – with nature; all of them being part of the poet’s oeuvre.
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