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1

Backlash, czyli czego obawiają się twórcy najnowszej dramaturgii czeskiej

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Żygadło-Czopnik D.
Miscellanea Posttotalitariana Wratislaviensia
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2016
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vol. 4: POKOLENIE — TRANSFORMACJA — TOŻSAMOŚĆ Gardzienickie czytania teatroznawcze… i nie tylko
37-47
EN
In November 1989 various theater groups participated in overthrowing the totalitarian regime by improvising discussion forums. After the so-called Velvet Revolution, it was the writer and playwright Václav Havel who became head of state while another playwright, Milan Uhde, became the Minister of Culture and Speaker of the Parliament. Nowadays the Czech theater scene is immensely diversified. We can divide the authors who began writing their dramas after 1989 into two generational groups. On the one hand, there are authors born in 1960–1970, who entered the post-totalitarian times already as mature adults and who at the moment have long experience in their artistic work as playwrights, actors or directors (it is quite common that those people write and direct their own work). On the other, there is a younger group which is made of people who were still children during the communist era, and their artistic activity was shaped and took place in most recent years. We are talking about a generation of artists who share a common experience of totalitarianism in childhood and adolescence, as well as the difficult transition between the two systems: communist and capitalist.
2

Starość — (anty)fenomen społeczno-kulturowy w twórczości literackiej Jiřiny Šiklovej. Rekonesans badawczy

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Żygadło-Czopnik D.
Slavica Wratislaviensia
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2016
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vol. 163
611-622
EN
Jiřina Šiklová is a Czech sociologist and writer. She published under different names, mainly abroad. In the times of the former regime she was persecuted and imprisoned. She wrote anumber of bestselling books: Deník staré paní (2003), Dopisy vnučce (2007), Matky po e-mailu (2009), Stoupenci proměn (2012), Vyhoštěná smrt (2013). Books of this Czech writer haven’t been translated yet into Polish. From the perspective of an old woman she presents old age as a specific moment in human life. Šiklová writes akind of adiary in which she speaks about the current situation brought to her by life. In her books, the writer solves problems between grandparents and grandchildren as well as the issues of asixty year old woman taking care of her octogenarian mother. Šiklová provides an independent reaction to the problems of aging society. She teaches her readers to accept old age, not only as loss of strength, but as atime belonging to the fullness of human life. At the same time in avery business like manner and with no sentiment she offers a number of steps that can help in old age.
CS
Jiřina Šiklová je česká socioložka apublicistka. Publikovala pod různými jmény, především v zahraničí. Za minulého režimu byla pronásledovaná avězněná. Napsala nĕkolik literárních bestsellerů: Deník staré paní (2003), Dopisy vnučce (2007), Matky po e-mailu (2009), Stoupenci proměn (2012), Vyhoštěná smrt (2013). Knihy české spisovatelky ještĕ nebyly přeložené do polštiny. Z pohledu staré ženy popisuje stáří jako specifický moment v životĕ človĕka. Šiklová píše svého druhu deník, ve kterém hovoří oaktuálních situacích, které jí život přináší. Spisovatelka v knihách řeší problémy mezi prarodiči avnoučaty nebo starosti šedesátileté ženy, která se musí postarat o svoji osmdesátiletou matku. Šiklová představuje svébytnou reakci na problém stárnutí populace. Učí čtenáře přijímat stáří nikoli jako pouhý úbytek sil, ale jako období náležející k plnosti lidského života. Zároveň přitom zcela věcně anesentimentálně upozorňuje na řadu kroků, které mohou stáří usnadnit.
3

„Palimpsesty alkoholowe” ostrawskiego outsidera Jana Balabána

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Żygadło-Czopnik D.
Slavica Wratislaviensia
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2015
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vol. 161
313 - 320
EN
Jan Balabán was aCzech writer, journalist and translator, living and working, until his sudden death in the year 2010, in Ostrava. His most important work is acollection of short stories It May Be That We Go, which was called Book of the Year 2004 by Lidove Noviny and the Magna Litera 2005 for prose, and was nominated for the State Prize for Literature 2004. Another of his works is the collection of stories titled Holiday. His books are very interesting to the reader, and they deal with profound themes. The author testifies about the way we live, and he often discusses loneliness, which is the default situation in his books. Characters in his works are regular people dealing with regular issues, like poverty, tragedies, loneliness or bankruptcy. Balabán’s books are mostly about people with no roots: alcoholics, intellectuals, parents and their children, people who love and who leave each other.
4

Jaroslava Rudiša wariacje na temat pewnego miasta

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Żygadło-Czopnik D.
Slavica Wratislaviensia
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2013
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vol. 157
107 - 115
EN
Jaroslav Rudiš wrote his novel The Sky under Berlin in the year 2002. Berlin was acity that found its way into his heart for anumber of reasons. Most of all, because it is acity of Central Europe where the West and the East collide. The novel’s protagonist, Petr Bem, escapes Prague for Berlin because he is afraid of responsibility and maturity. Rudiš wrote aliterary rather than atraditional city guide. Berlin is abustling city that has an unusual energy. According to the author, there is athrilling atmosphere of great restlessness emerging in Berlin.
5

Dorastanie naznaczone traumą historii. Kilka refleksji nad powieściami Jiříego Kratochvila „Uprostřed nocí zpěv” i Magdaleny Tulli „Włoskie szpilki”

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Żygadło-Czopnik D.
Miscellanea Posttotalitariana Wratislaviensia
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2017
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vol. 6: TRAUMA KULTUROWA JAKO PALIMPSEST: (post)komunizm w kontekście porównawczym nowoczesności, totalitaryzmów i (post)kolonializmów
245-256
EN
The process of political change began in Czechoslovakia at the end of 1989, a few months after the so-called Polish Round Table Talks, and after the events in Hungary, East Germany or Bulgaria, foretelling the political transformations in those countries. Poles and Czechs are nations steeped in history, whose rhythm is defined by traumas, many of which still await their artistic disarmament. Czech history is completely different than that of Poles. As a result of the tangled history, Czech and Polish national identities are not fully defined. The key objective of the proposed paper is to examine how the contemporary Polish and Czech writers confront their totalitarian heritage. We would like to focus on the works of a Mora­vian author Jiří Kratochvil (b. 1940 in Brno), who is undervalued and barely known in Poland, and of a Polish writer Magdalena Tulla (b. 1955). As a matter of fact, Jiří Kratochvil was truly discovered in the Czech Republic only after November 1989.
RU
Процесс политических преобразований начался в Чехословакии в конце 1989 года, спустя несколько месяцев после польских переговоров т. наз. круглого стола и после событий в Венгрии, ГДР или Болгарии, которые предвещали политико-режимные трансформации в этих странах. Поляки и чехи — это народы, погруженные в историю, а ее ритм в польском и чешском мышлении диктуют травмы. Многие из них еще предстоит обезвредить при помощи инструментов искусства. Чешская история во многом отличается от нашей. По причине непростой истории чешская и польская национальные идентичности не получили своего четкого определения. Основной целью предлагаемого доклада является исследование того, как современные польские и чешские писатели сводят счеты с тоталитарным наследием. Главное внимание будет уделено творчеству моравского писателя Иржи Кратохвила (1940 г.р., Брно), автора малоизвестного в Польше, а также польской писательницы Магдалены Тулли (1955 г.р.). Иржи Кратохвил и в самой Чехии приобрел признание только после ноября 1989 года.
6
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Polskie wybory czeskiej prozy kobiecej w przekładach po 1989 roku

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Żygadło-Czopnik D.
Przekłady Literatur Słowiańskich
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2018
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vol. 9
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issue 1
227-247
CS
Ve studii se obzvlaśte zamerujeme na pritomnost tvorby ceskych spisovate- lek v Polsku po roce 1989. Ceska literatura znama v Polsku pochazi predevśim z per muzu. Dnes se situace meni. V nejnovejśi ceske literature se zensky hlas ozyva dm dal tim casteji. A je to rozhodny, silny hlas autorek, jejichz tvorba je v soucasnosti prekladana do polśtiny. V poslednich letech se prekladaji knihy ceskych autorek predevśim mladśi generace. Pri vyberu literatury prezentovane v Polsku hraje podstatnou roli kontext knizniho trhu, medii a „jazykoveho prumyslu“. Na zaklade teorie pole, kapitalu a habitu Pierra Bourdie je ve studii rec o roli prekladatele jako aktivniho agenta v literami komunikaci.
EN
In the article we pay special attention to the presence of Czech female writing in Poland after 1989. The Czech literature which has been known in our country is primarily male writing. Today the situation is changing. In the latest Czech literature, women are becoming more and more significant. These are determined and strong female authors whose work is currently translated into Polish. In recent years, books by Czech female writers, particularly of a younger generation, have been translated. The context of the book market, the media and ‘the language industry’ are essential factors when choosing the presented literature. Based on Pierre Bourdieus theory of field, capital and habitus, the article is concerned with the role of a translator as an active agent in literary communication.
7
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„Jan Mukařovský dla wszystkich”. O przekładach tekstów czeskiego teoretyka literatury i estetyki

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Żygadło-Czopnik D.
Przekłady Literatur Słowiańskich
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2020
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vol. 10
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issue 1
259-273
EN
Jan Mukařovský (1891-1975) is a character who does not need to be introduced to Polish humanists. Recognized as a leading representative of structuralism, the so-called Prague School has its place in the history of literary theory, as well as the entire school of thought. Most of Mukařovsky’s texts, as well as those by others from Prague, which we know today as articles in magazines or books, were given at the meetings of the Prague Linguistic Circle as lectures. The presence of Czech structuralism, including the work of Jan Mukařovský, is not a closed issue in Poland. In the article, we will trace the Polish presence of his texts from the 1940s to the latest translations by Aneta Daszuta, which also contain critical studies and those are Zamierzone i niezamierzone w sztuce (Warsaw 2014) and Studia semiologiczne (Warsaw 2017).
CS
Jan Mukařovský (1891-1975) je postava, kterou není třeba polským humanitním vědcům představovat. Uznávaný za předního představitele strukturalismu tzv. pražské školy má své místo v pracích o dějinách literární teorie, stejně jako celý směr. Většina Mukařovského textů, i jiných Pražanů, které dnes známe jako články v časopisech nebo knižní publikace, byla jako referáty přednesena na shromážděních Pražského lingvistického kroužku. Přítomnost českého strukturalismu, včetně prací Jana Mukařovského, v Polsku nepředstavuje uzavřenou otázku. V článku budeme sledovat polskou přítomnost jeho textů od 40. let 20. století po poslední překlady Anety Daszuty, které jsou vlastně kritickou edicí, jde o Zamierzone i niezamierzone w sztuce (Warszawa 2014) a Studia semiologiczne (Warszawa 2017).
PL
The subject of the analysis is the presence of Jan Mukarovsky’s texts in the field of Polish literary theory and aesthetics. The achievements of Czech structuralism, of which he was an outstanding representative, seem to be indisputable, since to this day they are a more or less conscious element of modern knowledge about literature. The Czech structuralism heritage still amazes and intrigues with its scale, and it undoubtedly continues to be a grateful object of research by Polish theoreticians and translators.
8
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Polskie wybory czeskiej prozy kobiecej w przekładach po 1989 roku

100%
Żygadło-Czopnik D.
Przekłady Literatur Słowiańskich
|
2018
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vol. 9
|
issue 1
PL
Polish Choices of Czech Female Prose in Translations after 1989 In the article we pay special attention to the presence of Czech female writing in Poland after 1989. In the latest Czech literature, women are becoming more and more significant. In recent years, books by Czech female writers, particularly of a young generation, have been translated. Based on Pierre Bourdieu’s theory of field, capital and habitus, the article is concerned with the role of a translator as an active agent in literary communication. KEY WORDS: Polish choices, Czech female prose, Pierre Bourdieu’s theory, translation, a translator
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