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EN
Interpretation of Metaphisics – the novel written by Lech Majewski, is the subject matter of theoretical, aesthetic and antropological considerations. Synthesis of arts: literature, film, painting and theatre, which occur in the novel, opens a perspective of intertextuality and provokes questions about ekphrasis, varied materials, ways of experience mediated by dispositives and reflections on humans among other problems. The crucial point in both: Majewski’s novel and this dissertation, is a triptych painted by Hieronymus Bosch – The Garden of Earthly Delight, which gradually annexes the featured world – becomes a basic figure in trying to show, how the aesthetization of reality brings Wolfgang Welsch’s cahegory of an(a)esthetics.
2
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Świat i Słowo
|
2012
|
vol. 10
|
issue 1(18)
113-123
EN
The article is an attempt to compare the cultural existence of a paralyzed body, captured by various discourses, with the stories that include individual experience of ill people. Beside the anti-war cinema, the article discusses Jacques Derrida’s, Tony Judt’s and Jean-Dominique Bauby’s texts. Following Susan Sontag, the aim of interpretation is to show paralysis as a metaphor – a very important one in our culture – which assembles essential fears of contemporary societies: the phantom of immobilization – inertia, which becomes a disorder, and a damage of a medium, a break of communication.
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