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A HISTORY OF A CERTAIN EXPLOSION, OR A SHORT HISTORY OF NATIONALISM (Dzieje pewnej eksplozji, czyli krótka historia nacjonalizmu)

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Krawiec A.
Sprawy Narodowościowe
|
2011
|
issue 39
175-190
EN
The article is a survey of some of numerous paradoxes connected with the history of the notion 'nation.' In its contemporary meaning, this notion transferred, in a relatively short time, from a vague idea known to some eccentric thinkers into an indispensable component of the identity of each and every inhabitant of our continent. In a relatively short period the people inhabiting Europe were first classified according to many flexible criteria (such as residence, belonging to particular social strata, confessed religion, respected authority, language spoken, etc.), and later divided into multimillion national communities, apparently existing from time immemorial and separated by eternal barriers of contradictory national interests. Attempts to cross these barriers made by a human being - i.e., transferring from one community to another - are now treated as a rejection and betrayal of one's own identity. The article tries to present how such a violent change could have happened, to what extent national ideology was a by-product of economic and social processes initiated in Europe as early as the Middle Ages, and to what degree this ideology was a stimulus for these processes, and, last but not least, to what extent this ideology contributed to the creation of the contemporary shape of the world, in which western civilization managed to win primacy and maintain it till the present day, and, moreover, impose its standards on other cultures - among them the dogma about a necessary division into rival nations, which is apparently an effect of human nature itself.
2

Tajemnica Widzialności w rozważaniach o sztuce Maurice’a Merleau Ponty’ego

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Krawiec A.
Kwartalnik Filozoficzny
|
2018
|
vol. 46
|
issue 4
23-47
EN
In his late works, Maurice Merleau-Ponty attempts to show the direction for the development of a new phenomenology. While analysing the intertwining of the visible and the invisible, he raises a question about the way we participate in Being. For Merleau-Ponty, experiencing a work of art is a representative example of our participation in the flesh (la chair). This article will analyse the broadly understood idea of visibility in art and its ability to transcend its apparent aesthetics into its invisible side, which is the source of all appearance and self-knowledge of existence.
3

Wewnętrzna świadomość czasu muzycznego w ujęciu Edmunda Husserla

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Krawiec A.
Kwartalnik Filozoficzny
|
2017
|
vol. 45
|
issue 3
27-48
EN
The article discusses the problem of musical time presented in Edmund Husserl's On the Phenomenology of the Consciousness of Internal Time. The author of this article aims to describe the basic properties of immanent time on the basis of an analysis of the musical, resp. sound examples given by Husserl. Husserl's reflections on inner time-consciousness – preceding Roman Ingarden's examination of musical time included in The Work of Music and the Problem of Its Identity – constitute an important stage in the reflections on immanent time in a musical work. The article, as a study belonging to the phenomenology of music, is a critical analysis of the basic terms of phenomenology of time, such as original impressions, retention, protention, consciousness, perception, and intentionality.
4

Sztuka i objawienie w horyzoncie współczesnych badań fenomenologicznych

100%
Krawiec A.
Edukacja Filozoficzna
|
2022
|
issue 73
39-60
PL
W artykule analizuję fenomenologiczne możliwości usankcjonowania objawienia religijnego poprzez doświadczenie sztuki. Na gruncie współczesnych badań fenomenologicznych najpierw przedstawiam kontekst rozważań nad religijnym wymiarem sztuki, a następnie analizuję główne problemy metodologiczne w podjętym obszarze badawczym. Stawiam również propozycję interdyscyplinarnego sposobu podejmowania zagadnienia sztuki i objawienia, umożliwiającego komplementarne ujęcie złożonego problemu badawczego na pograniczu estetyki, fenomenologii, filozofii religii i teologii.
EN
In the article I analyse the phenomenological possibilities of sanctioning a religious revelation through the experience of art. First, I present the context for reflections on the religious dimension of art on the grounds of contemporary phenomenological research. Next, I analyse the main methodological problems within the research area under consideration. I also propose an interdisciplinary approach to the issue of art and revelation, which allows for a complementary presentation of this complex research problem at the intersection of aesthetics, phenomenology, philosophy of religion and theology.
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