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Starting point of the article is a one of the chapter of the book Anthropology of picture cognition wrote by Maciej Kociuba, where the author discus Homeric ekphrasis in the cognition dimension understanding in the philosophical context. An article has a polemic character. Author of the article, using thesis created by Eric Havelock and Andrzej P. Kowalski presents, that Homeric way of thinking was more magical than philosophical, because his culture was a culture before philosophy as a way of thinking and culture without writing.
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The article is a part of my PhD thesis entitled “To see is to know. The cultural dimension of human perception” written at the Humanities Department of Nicolaus Copernicus University in Toruń. It presents remarks on the differences between social constructivism, conceptualism and postconstructivism in understanding and describing visual perception. The main idea is to show the cultural dimension of visual perception, so social constructivism is a way of thinking I accept. I create my own, very Polish, model of social constructivism that is complex with the theory of thought styles and thought collectives by Ludwik Fleck and the theory of culture of the Poznań school. of, mainly thesis of Anna Pałubicka and Andrzej P. Kowalski. I accept most conceptualists’ remarks on perception formulated for example by J. McDowell in his “World and Mind”. The problem is that conceptualism believes our knowledge is ex deffinicione conceptional. It is false from the perspective of the anthropology of history (A.P. Kowalski) and the philosophy of culture (E. Cassirer) which focused on archaic cultures. On the other hand, I do not accept the postconstructivism (B. Olsen, T. Ingold) model of perception. My article also remarks on the dispute between many models of constructivism. I believe we should not remove “social” from constructivism.
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The text is a discussion of the issues of the tenth conference from the cycle "Colloquia Anthropologica et Communicativa" titled "Anthropology, media, communication" (Lądek Zdrój, 28-29 May 2018).
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Review: Andrzej P. Kowalski, Mit a piękno. Z badań nad pochodzeniem sztuki, Bydgoszcz 2013
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The author of this paper describes ideas of Peter Burke contained in his book by the title A Social History of Knowledge. An English Professor of cultural history believes, that they are resemblances between modern (since Gutenberg’ s Age) and contemporary attitude to the genesis, growing, accumulate and to pass the knowledge. Author discuss readers practices, modern student’s methods of accumulate knowledge and its memorization. He shows that some of them still exist in contemporary student’ s methods, but some burn out what is connected with process of substitute written culture by visual culture. That process is changing student’ s knowledge and their intellectual ability.
PL
Artykuł krytycznie omawia zbiór tekstów poświęconych lwowskiemu mikrobiologowi i teoretykowi poznania naukowego – Ludwikowi Fleckowi. Artykuł przedstawienia główne tezy tekstów oraz merytorycznie ustosunkowuje się do nich, niekiedy podejmując polemikę.
EN
The article disscuses a set of texts dedicated to the Lvovian microbiologist and theorist of science knowledge – Ludwik Fleck. The article presents the main theses of the texts, taking a substantive and sometimes polemical stance on them.
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For the last few years of his life, Piotr Kowalski returned to the city where a few decades earlier he studyed Polish philology and worked as a professor at The Institute of Journalism and Social Communication at the University of Wrocław. During his time in Wrocław, he wrote a very inspiring article named „Reflections on the anthropology of media". One of the main ideas was that historical anthropology is a background for the anthropology of media, which should be concentrated on cultural imaginarium ways of communications. In the article, we present how his ideas are being developed by us in our work entitled „scenario of culture" which was inspired by this researcher.
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An interview about culture-related Poznań school, the philosophy of culture of Jerzy Kmita and the consequences of its assumptions in the field of historical research problems related to the cultural dimension of visual perception.
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