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Życie kulturalne Polaków w Mandżurii w latach 1897–1947

100%
Yong-Deog K.
Postscriptum Polonistyczne
|
2010
|
issue 2(6)
117-142
EN
The article is dedicated to the Polish colony in Manchuria, which came into being at the turn of the 19th and 20th centuries and lasted for over 50 years. In successive parts, the author discusses manifestations of cultural life of Poles in Manchuria. He concentrates mostly on Polish cultural institutions created by Poles, the magazines they published. The author points out the merits of some greatest representatives of the colony. The important role was also played by Polish Consulate in Harbin and its workers dedicated to their tasks. After the Second World War broke out, the situation of Polish community became more difficult, and the colony ceased to exist under communist regime in China. Poles left and material traces of their residence in Manchuria also ceased to exist.
2

IRONIC PROCESSES IN ALBERT COHEN'S 'BELLE DU SEIGNEUR' (Ironia - przypadek 'Oblubienicy Pana' Alberta Cohena)

63%
Jong-Oh L., Yong-Deog K.
Pamiętnik Literacki
|
2011
|
vol. 102
|
issue 3
171-181
EN
The article discusses Albert Cohen's irony as one of the important figures of style in the structure of narration of the novel Belle du Seigneur. The figure of irony requires from the reader some mental effort, some collaboration in which he/she joins the author in the act of artistic creation. The starting point of the paper is a thesis that ironic forms lead us to reveal a diversity of ironies with the help of specific processes that relate to the work Belle du Seigneur. Illustrative examples of the ironies in many structural devices depend on the author's subjective choice on the matter as the effect of its implementation. Even if one of these processes cannot always be clearly distinguishable from each other, it is possible to determine precisely the peculiar character of the irony, and to establish the following general system: parodic reversal, humorous and satirical movement, ironic neologisms, romantic irony, cosmic irony, and many other. They remind us of the famous ironists, such as Cervantes, Shakespeare, Rabelais, Voltaire, etc. The paper also attempts to indicate the function of style that irony fulfills, namely a tension of content and mode of expression joining description to a complex rhetorical design, and a means of giving an idea of overcompensation and deconstruction as well as the presumption of a dialectical meaning.
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