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  1. 1 Ochrona Zabytków

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  1. 1 2001

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  1. 1 Nowik W.

  2. 1 Olszewska-Świtlik J.

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Czerwone laki w malarstwie śląskim Mistrza lat 1486/1487

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Olszewska-Świtlik J., Nowik W.
Ochrona Zabytków
|
2001
|
issue 1
36-48
EN
The article presents a precise definition of the types of red lake and methods of their analysis. The organic dye was examined with the help of highly efficient liquid chromatography combined with spectrometry in ultra violet and visible light (HPLC–DAD). The substrate was identified predominantly with the application of instrumental methods: X-ray fluorescence (XRF) and energy dispersion X-ray analysis using an electronic micro–probe (SEM-EDS). The samples originated from paintings ascribed to a Silesian workshop, which in 1486–1487 executed a retable for the church of St. Peter and Paul in Strzegom. The anonymous author was given the name of Master from 1486/1487. For the sake of comparison the research also included samples from The Offering of Christ in the Temple, a work by the Nürnberg–based artist H. Pleydenwurff from the former retable in the church of St. Elizabeth in Wroc³aw, dated as 1462. The outcome of the investigations supplement knowledge concerning the type of material used in mediaeval Silesian painting, and constitutes a source of information useful for a future and more precise distinction of the individual features of Polish and European workshops of the period.
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