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  2. 1 2004

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1

A SHORT SUMMARY CONCERNING THE SLOVAL SOURCES ON FOLK DANCE RESEARCH

100%
Duzek S.
Ethnomusicologicum
|
2004
|
vol. 3
103-115
EN
The achievements of the Slovak ethnochoreology were discussed several times after it was settled in Slovakia, as an independent field of knowledge, at the beginnings of the 50ties. It was evaluated on the 1st Ethnomusicological seminar of the Institute of Musicology of the Slovak Academy of Sciences in 1970 by Kl. Ondrejka and later on, after the so called velvet revolution, by St. Duzek (1993 and 2001). These and other reports refer to some folkloristic information, to the general situation on folk dance concerning fieldwork, documentation and sources (audio records, pictures, motion pictures and video documents, questionnaires etc.). Also editions, encyclopedic and cartographic issues are mentioned. The prevailing part of the documents refers to Slovak folk dances in Slovakia, partly on those of the Slovaks abroad, and relatively limited are those data related to the tradition of the minorities (Magyars, Roma, Ukrainians, Croats and Czechs). Also information is lacking about studies on Slovak folk dances carried out by foreign ethnochoreologists. Some of the mentioned fields are documented by the list of references attached.
2

AUDIOVISUAL DOCUMENTATION OF FOLK DANCES BY THE SLOVAKS ABROAD

100%
Duzek S.
Ethnomusicologicum
|
2005
|
vol. 4
155-172
EN
The problem of Slovaks living abroad gained actuality after 1918, when the Czechoslovak Republic was founded. Subject of research became the migrants to the USA, Canada, in particular living traditions of the Slovaks in Hungary, in the former Yugoslavia, in Rumania, Bulgaria, Poland, and also those living in Austria, France, Belgium, Argentina, Australia and last but not least after 1993 the Slovaks in the Czech republic. Ethnomusicological and ethnochoreological documentations, which are the content of the paper, have been started in the 60ties of the 20th century, especially field documentation in Hungary and the Vojvodina of Yugoslavia. The most important of the audio- and audiovisual documents have been made on the programs of the Slovak folklore groups coming from abroad to the folklore festivals, mainly to Detva. From this activities 50 dance-folklore documents, motion pictures and videos, made by the researchers from the Ethnomusicological department of the Institute of Musicology in cooperation with the Institute for Slovaks from abroad and the Matica slovenská, have been produced in the years 1968-1992. The list and characteristics of these documents is the subject of the paper.
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