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1

NÁVŠTEVA ŠTÚROVCOV U JÁNA HOLLÉHO NA DOBREJ VODE. HISTORICKÝ (MIKRO)NARATÍV V KONTEXTE FORMOVANIA KOLEKTÍVNEJ PAMÄTI A IDENTITY SLOVÁKOV

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Macho P.
Historický časopis (Historical Journal)
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2017
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vol. 65
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issue 2
242 – 268
EN
The study analyses the structural elements of the story of three members of Štúr’s group to the poet Ján Hollý. The meeting of representatives of the Protestant and Catholic intelligentsia in 1843 is one of the key moments in the Slovak national historical narrative. It symbolizes national unity overcoming confessional limitations. The author investigates this story as a part of nationalist propaganda, pointing to its use for the needs of national ideology.
2

RÁZUSOV ODKAZ MŔTVYCH A VNÍMANIE NÁSILIA V MEDZIKONFESIONÁLNYCH VZŤAHOCH

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Macho P.
Historický časopis (Historical Journal)
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2008
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vol. 56
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issue 3
419-442
EN
The article analyses the literary image of forcible re-Catholicization and maps its perception against the background of the confessionally determined reception of the historical novel 'Odkaz mrtvych' (Message from the Dead). The reception of Razus' novel was influenced by Protestant and Catholic historical memory, which included the images of the bad Jesuits or the good Jesuits. The stereotype of the bad Jesuits was updated and politically exploited in the conditions of the totalitarian 'Ludak regime'. Thus the novel contributed to strengthening anti-regime views in some segments of the reading public.
3

„DIE LUBINAKEN KOMMEN!“ ODHAĽOVANIE HURBANOVHO POMNÍKA V NOVOM MESTE NAD VÁHOM V KONTEXTE OSLÁV 10. VÝROČIA VZNIKU ČESKOSLOVENSKEJ REPUBLIKY

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Macho P.
Slovenský národopis (Slovak Ethnology)
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2018
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vol. 66
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issue 3
287 – 302
EN
The study describes the preparation, construction and official unveiling of Jozef Miloslav Hurban’s Memorial in Nové Mesto nad Váhom on the 10th Anniversary of the birth of the Czechoslovak Republic in 1928. The construction of the memorial was initiated by the local organisation of Matica slovenská, with the involvement of Slovak and Czech intellectuals (Ľudmila Podjavorinská, Rudolf Markovič, Otokar Fleischer and others). The collective remembering of Hurban was marked by creating ideologically motivated links between the Hurban and legionary traditions. The legionary element was integrated in the rhetoric and ritual aspects of this festivity on purpose. Ján Drobný suggested using this memorial initiative to achieve definitive Slovakisation of the public life in the town, even by using violence. His proposal was targeted against the members of the so-called better society which arose mainly from the Jewish community and preferred Hungarian in public communication. The events related to Hurban’s Memorial revealed the frustration of some members of the Slovak intellectual élite. They had the feeling that the upheaval and the birth of the republic in 1918/19 did not culminate with absolute victory of the Slovak national idea. The purpose-built and positively “modelled” picture of the “Hurbanist” past was one of the factors that worked in the contemporary discourse as purported guarantee of the national reliability and loyalty of the citizens of the Nové Mesto region towards the Czechoslovak state.
4

HISTORICAL MICRO-NARRATIVE AS AN INSTRUMENT IN THE FORMATION OF COLLECTIVE IDENTITY AND MEMORY. THE SYMBOLIC AND IDEOLOGICAL DIMENSION OF THE VISIT OF ŠTÚR’S GROUP TO JÁN HOLLÝ AT DOBRÁ VODA

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Macho P.
Historický časopis (Historical Journal)
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2018
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vol. 66
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issue 5
849 - 884
EN
The study analyses the structural elements of the story of the visit of Štúr and two of his followers to the poet Ján Hollý. The meeting of representatives of the Protestant and Catholic intelligentsia in 1843 was a key moment in the Slovak national historical narrative. It symbolizes national unity overcoming confessional limitations. The author studies this story as part of the nationalist repertoire, pointing to its use for the needs of national ideology.
5

“HE FLEW ON WINGS OF SLAVONIC FEELING TO SERBIA TO HELP THE SERBS IN 1915”. THE SYMBOLIC INSTRUMENTALIZATION OF M.R. ŠTEFÁNIK AND SLAVONIC COMMUNITY AGAINST THE BACKGROUND OF THE INTER-STATE RELATIONS OF THE TIME

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Macho P.
Historický časopis (Historical Journal)
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2016
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vol. 64
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issue 5
809 – 843
EN
The study analyses the symbolic instrumentalization of the national hero M.R. Štefánik in the context of the modified form of Slavonic community in the 20th century. In the inter-war period, the symbol of Štefánik was used to strengthen the Czechoslovak – Yugoslav alliance on the basis of Slavonic brotherhood. The political representatives of independent Slovakia and Croatia during the Second World War refused to build their inter-state relations on the basis of Slavonic community. From the point of view of Zagreb, Štefánik appeared pro-Serb and pro-Yugoslav, so he was an undesirable symbol for the Croats. Emphasis on the strong Slavonic and Serbophil identity of Štefánik became an instrument for Slovak opposition oriented circles to articulate their resistance to the Ľudák regime and the Slovak state.
6

POZOSTALOSŤ MILANA RASTISLAVA ŠTEFÁNIKA V KONTEXTE INŠTITUCIONÁLNYCH A RODINNÝCH ZÁUJMOV V MEDZIVOJNOVOM A VOJNOVOM OBDOBÍ

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Macho P.
Muzeológia a kultúrne dedičstvo
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2017
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vol. 5
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issue 1
57 – 68
EN
After the tragic death of Milan Rastislav Štefánik, one of the founders of Czechoslovakia, the Czechoslovak government bought his estate and uses it for museum exhibition purposes. The collection of Štefánik‘s effects and writing was much sought after by Slovak as well as Czech museums and memory institutions, but it finally found its home in the museum of Czechoslovak Legions in Prague established at the Ministry of Defence (Památník odboje). In 1939-1940, the collection was transferred to Slovakia to the Slovak National Museum in Martin. Today, many of these artefacts are now located in Štefánik‘s birth house in the village of Košariská which is a branch of the Slovak National Museum. This papers examines the tumultuous history of negotiations between the Czechoslovak government and the Štefánik family which resulted in the purchase of Štefánik‘s estate in 1923.
7

DANIEL KRMAN AKO SYMBOL V PRIENIKU LOKÁLNEJ, KONFESIONÁLNEJ A NÁRODNEJ IDENTITY (NA PRÍKLADE MYJAVY)

100%
Macho P.
Slovenská literatúra (Slovak Literature)
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2017
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vol. 64
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issue 1
43 – 62
EN
The paper analyses the importance and place of evangelical bishop Daniel Krman as a symbol in the local (the inhabitants of town Myjava), confessional (Protestants) and national (Slovaks) identity and memory. It examines folk manifestations, literary production and the societies, institutions and public spaces in Myjava that have adopted Krman´s name. The golden age of the institutionalized commemoration of D. Krman may be the first half of the 20th century. To date Krman predominantly functions as a significant confessional symbol, therefore Krmanesque festive culture is also closely related to the clerical and religious life. This symbol was usually pushed out of the context of various secular (public, national) festivals. The literary texts and ceremonial speeches written in the year 1940 (the 200th anniversary of Krman´s death) were marked by the resistance of the Lutheran community to the totalitarian regime of the Slovak State: despite the single attempt at the ecumenical understanding of the symbol, the literary image of Krman as a martyr of the evangelical faith became a tool of petrified confessional differences on the local as well as nationwide level.
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