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1

DIFFICULT 'MALE MATERNITY' IN UKRAINIAN LITERATURE OF 19TH AND 20TH CENTURIES: TARAS SHEVCHENKO - YEVHEN MALANIUK - MYKOLA KHVYLOVYI

100%
Matusiak A.
Slavia Orientalis
|
2008
|
vol. 57
|
issue 2
229-245
EN
The text provides a synthetic view of the key subject matters of the contemporary Ukrainian literature i.e. Mother/Ukraine. The authoress analyses the subject matter in the context of the symbolism of Ukraine as a lonely mother devoid of the right to walk her own way, a mother in flood of tears, infinitely unhappy, raped and defamed by ruthless oppressors/drifters. With the use of the colonial discourse technique the authoress analyses this feminine image of the motherland on this basis of the works of Taras Shevchenko, Yevhen Malaniuk and Mykola Khvylovyi - artists, who created the most distinctive and representative literary patterns and models of interpreting the Ukraine motif in the 19th and 20th century Ukrainian literature.
2

FRIEDRICH NIETZSCHE'S IDEA OF 'THE DANCING ÜBERMENSCH' IN THE POETRY BY VASYL PACHOVSKII

100%
Matusiak A.
Slavia Orientalis
|
2006
|
vol. 55
|
issue 1
43-56
EN
The end of the 19th and early 20th century was the time when people became interested in the art of dance to a great degree. The fact that the art of dance became so popular is related to Friedrich Nietzsche's philosophical thought: Nietzsche determined dance as one of the main categories of his philosophy. The philosopher gave the fullest form to his idea of dance in the character of Zarathustra. Zarathustra referred to dance while expressing both feelings and opinions. The authoress of the article discusses the concept of “the Dancing Übermensch” in relation to 'The Eagle's Flight', a poem by Vasyl Pachovskii. She also adapts the broad and multi-aspect context of other Nietzschean categories of 'genius', 'free spirit', and 'the promethean man', interpreting them from the point of view of the round dance movement forms presented in Pachovskii's text, which the Ukrainian artist associates with the universal symbols of an ideal method of gnosis, reflecting an active, cognitive, and transformative human attitude to one's reality and to oneself. In this way, Pachovskii implies that an individual can be fulfilled only by means of physical and spiritual effort and only then does an individual become an 'Übermensch', that is an artist, a creator fulfilling one's life in the realm of art in the only possible way: the never-ending dance.
3

THE OUTPUT OF 'YOUNG MUSE' ORIGINATED FROM THE SPIRIT OF MUSIC

100%
Matusiak A.
Slavia Orientalis
|
2005
|
vol. 54
|
issue 2
241-261
EN
The present text is an attempt to revise the output of the 'Young Muse' (Moloda Muza) writers in the context of musical inspirations of the turn of the 19th century, most of all the Secession period. The author investigated the literary output of the 'Young Muse' writers, inter alia from the point of view of adapting musical terminology to the titles of works, application of corresponding vocabulary, which in consequence awoke an association with music in the works and a specific configuration of sound structure of the text, and was an evidence of the correlation of the 'Young Muse' representative writings with the musical fascinations of the period (Chopin, Wagner, Debussy) as well as aesthetical and philosophical ideas of those times (Plotinus, Swedenborg, Schopenhauer, Bergson).
4

'Verbal Pirouettes' in 'Young Muse' Writers' Works

100%
Matusiak A.
Przegląd Filozoficzno-Literacki
|
2007
|
issue 2(17)
289-318
EN
The turn of the 19th century witnessed intensive interest in dance art in European culture. The paper is an analysis of dance motif in the works of Ukrainian writers, belonging to Lvov literary group 'Young Muse' (1906-1909). The authoress considers the subject in the context of aesthetically-philosophical values of Stéphane Mallarmé, Paul Valéry as well as Friedrich Nietzsche. Presented 'Young Muse' writers' works, as a substantiation of dance art, are an attempt of translation of dancing language expression (gestures, body moves, steps, etc.) into a poetical language. The 'liberal dance' of I. Duncan is reflected in young muse writers' works as well. The authoress interprets the 'Young Muse' movement from the point of view of Arthur Schopenhauer's philosophy.
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