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EN
Reflecting on Marcin Świetlicki’s collection of poems Non-Obvious. Religious Poems [Nieoczywiste. Wiersze religijne] (selected by Wojciech Bonowicz), the author undertook an analysis of the category of religiousness which is present in this poetry, in particular its non-obviousness in the iconographic perspective. The reader of that poetry is pushed out of joints of the former experiences of the Polish religious poetry, since their place is taken by ambivalence and uncertainty of God’s images. The lyrical “I” experiences uncertainty in the sphere of religion and faces the image of God as only a remnant of the past.
EN
Essay attempts to reflect on the kind of religious discourse undertaken by Milosz in his poems over a long period of creativity. It is therefore firstly about capturing the evolution of this discourse at a time and to traced it the dominant content-organizing and carrying out possible typology in this regard. Initially seems to be that Milosz`s creativity is characterized by the multiplicity of religious discourses, which corresponds polyphony of this poetry. Diversification of concern that dimension of formal as well as the issues in question and various planes confessional. At the same time - and here I see the originality factor - all of these discourses build a coherent ideological whole, whose benchmark is the primacy of the spiritual and metaphysical space of meanings built by the poetry. At the same time - and here I see the originality factor - all of these discourses build a coherent whole ideological, whose benchmark is the primacy of the spiritual and metaphysical in the space of meanings built by that poetry.
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