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EN
The paper deals with G. Pico della Mirandolaʼs concept of felicitas (mors osculi), which is expressed especially in his works Commento (1486), Conclusiones (1486) and Heptaplus (1489). The analysis of these texts is compared to the ultimate felicitas of two Jewish thinkers, Gersonides (1288–1344), a representative of Medieval philosophical tradition, contemplating conjunction with God himself in his Commentary on the Song of Songs, and Yohanan Alemanno (1435 — died after 1504). This Italian Jewish humanist philosopher presented a similar concept of approach to God like Pico in his works (e.g. Cheshek Shlomo and Hay ha-ʽOlamin).
EN
The article deals with the religious and philosophical concept of Giovanni Pico della Mirandola and focuses primarily on the Jewish-Arabian sources of Mirandola's thinking. Since Pico did not have a very good knowledge of Hebrew or even Arabic, it was often almost impossible for him to deal on his own with the language of extremely challenging original medieval texts, whether on themes of Jewish and Arabian philosophy or on themes of Jewish mysticism, known as Kabbalah. Pico therefore made use of his colleagues, and to some extent was reliant on them. In this connection attention has to be drawn fi rst to Elia del Medigo, adherent of Averroist Aristotelianism, and to Jochanan Alemanno, representative of the Jewish concept of ancient theology (prisca theologia) connected with elements of Neo-Platonism. In the fi nal place the article discusses Pico's principal translator Flavius Mithridates. Through his vision of the Christian Kabbalah Flavius Mithridates inspired not only the "prince of concord" himself, but also many followers in the 16th and 17th centuries (Johannes Reuchlin, Francesco Zorzi, Gilliaume Postel, Caspar Knittel, and others).
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