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A crítica da modernidade de Adorno, Foucault e Agamben, ou a Ideologia da separação

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Urbán B.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
|
2017
|
vol. Special Issue: O mundo da literatura
39-48
EN
The article focuses on the critique of Modernity elaborated by three continental philosophers, Adorno, Foucault and Agamben. By locating a certain critical attitude towards the episteme of Modernity, present in all three of these thinkers, the author explores the ideas and the discursive steps that connect Adorno’s notion of Modernity to that of Foucault, and Foucault’s ideas to the political theory of Giorgio Agamben. What crystallises from this discursive chain connecting the oeuvres of the three thinkers, is a certain ideology of Modernity which could be called the “ideology of separation”.
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A emergência do sujeito político em Levantado do Chão de José Saramago – uma perspetiva rancieriana

100%
Urbán B.
Studia Iberystyczne
|
2014
|
vol. 13
219-230
XX
The emancipational process of the peasant community of Alentejo is the central theme of Saramago’s book. In this process, which is present also in the very title of the novel, emerges from the opressed and silenced crowd the political subject, who aims to deconstruct and to rewrite the dominating structure. The present article follows the process of dissensual subjectivation of the political agent from the perspective of the political philisophy of Jacques Rancière. I demonstrate how the basic notions of Rancière’s political theory appear in the novel, taking into account the main concepts of dissensus, distribution of the sensible and disagreement.
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