Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 6

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Koryfeusze dansingu

100%
Mrozek W.
Didaskalia. Gazeta Teatralna
|
2023
|
issue 175-176
390-401
EN
Witold Mrozek in conversation with Michał Buszewicz, Katarzyna Sikora
PL
Z Katarzyną Sikorą i Michałem Buszewiczem rozmawia Witold Mrozek
2
Publication available in full text mode
Content available

Ms Ula and Ms President. Censorship as a Mechanism of Local Theatrical Life; the Case of Ula Kijak’s ‘Nieskończona historia’ at Teatr Nowy in Zabrze

100%
Mrozek W., Schreiber P.
Didaskalia. Gazeta Teatralna
|
2022
|
issue English Issue 2022
197-228
EN
The article highlights an attempt at modifying the performance Nieskończona historia (Unfished Story) by Ula Kijak at the Teatr Nowy in Zabrze in 2012 – after a protest by some local Catholic and right-wing activists, and also by the sponsors of the theatre. Jerzy Makselon, the managing director of the theatre, tried to organize a special non-public performance of the play with the Mayor of the City as an expert in order to decide on the future of the performance. The author of the play, Artur Pałyga, declared that the Zabrze case is just the tip of the iceberg because the problem of censorship is very present in Polish theatre, and often generates conflicts between managers and local politicians on the one side and artists on the other side. However, the strategies of censorship and mechanism of power are usually not as apparent as in Zabrze. The research approach applied in the article combines institutional analysis, legal aspects and reflection upon the social significance of the artistic phenomena described.
3
Publication available in full text mode
Content available

Co widać za krawędzią?

100%
Mrozek W.
Didaskalia. Gazeta Teatralna
|
2021
|
issue 165
506-511
PL
Damaged Goods "Cascade" choreografia: Meg Stuart, kreacja i wykonanie: Pieter Ampe, Jayson Batut, Mor Demer, Davis Freeman, Márcio Kerber Canabarro, Renan Martins de Oliveira, Isabela Fernandes Santana, scenografia i światło: Philippe Quesne, dramaturgia: Igor Dobricic, muzyka: Brendan Dougherty, kostiumy: Aino Laberenz, tekst: Tim Etchells / Damaged Goods premiera: 17 lipca 2021 na festiwalu Impulstanz w Wiedniu (premiera miała odbyć się w ramach Ruhrtriennale w PACT Zollverein w Essen 16 września 2020).
4
Publication available in full text mode
Content available

Pani Ula i pani prezydent Cenzura jako mechanizm lokalnego życia teatralnego, przypadek „Nieskończonej historii” Uli Kijak w Teatrze Nowym w Zabrzu

100%
Mrozek W.
Didaskalia. Gazeta Teatralna
|
2021
|
issue 166
6-36
EN
Madam Ula and Madam President. Censorship as a mechanism of local theatrical life; the case of Ula Kijak’s Unfinished Story at the Teatr Nowy in Zabrze The article highlights an attempt at modifying the performance Unfished Story by Ula Kijak at the Teatr Nowy (New Theatre) in Zabrze in 2012 – after a protest by some local Catholic and right-wing activists, and also by the sponsors of the theatre. Jerzy Makselon, the managing director of the theatre, tried to organize a special non-public performance of the play with the Mayor of the City as an expert in order to decide on the future of the performance. The author of the play, Artur Pałyga, declared that the Zabrze case is just the tip of the iceberg because the problem of censorship is very present in Polish theatre, and often generates conflicts between managers and local politicians on the one side and artists on the other side. However, the strategies of censorship and mechanism of power are usually not as apparent as in Zabrze. The research approach applied in the article combines institutional analysis, legal aspects and reflection upon the social significance of the artistic phenomena described.
5
Publication available in full text mode
Content available

Siła głosu

100%
Mrozek W.
Didaskalia. Gazeta Teatralna
|
2022
|
issue 171
350-356
PL
Festiwal Santarcangelo dei Teatri, 8-17 lipca 2022
6
Publication available in full text mode
Content available

Kościół, partia, cenzura. „Ostatnie kuszenie Chrystusa” i zapomniane transakcje polskiej transformacji

100%
Mrozek W.
Didaskalia. Gazeta Teatralna
|
2023
|
issue 174
99-118
EN
In 1988 Polish Catholic bishops tried to convince leaders of the Polish United Workers’ Party to ban The Last Temptation of Christ, a film by Martin Scorsese in Poland. In November 1989, during the first months of the new government, led by the non-communist Prime Minister Tadeusz Mazowiecki, the Diocesan Curia of Olsztyn forced a local cinema to ban a screening of Scorsese’s film by referring to decisions allegedly made by the former communist government. These events, a kind of exchange of favours between the party and the church, are presented in context of Polish People’s Republic foreign policy, its approach to the Catholic Church and the dissemination of Western auter cinema in late 1980s Poland.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.