Laden with sea images, Shakespeare‘s plays dramatise the maritime fantasies of his time. This paper discusses the representation of maritime elements in Twelfth Night, The Tempest and The Merchant of Venice by relating them to gender and space issues. It focuses on Shakespeare‘s creation of maritime space as space of liberty for his female characters.
The garden is a powerful imagery in Shakespeare history plays, yet the sea also plays an important role. By discussing episodes and metaphors related to the sea in Shakespeare’s first tetralogy, this paper aims to demonstrate Shakespeare’s macro-spatial perspective of England as an island, whose history is influenced by elements on and across the sea. The paper also examines Shakespeare’s dramatization of women’s interconnections with the sea. It attempts to contextualize Shakespeare’s dramatic representation of the sea and of women within English Renaissance maritime culture.
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