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EN
The paper is a response to the question about a woman's experience of the city. Accordingly, the authoress analyses the ways Elfriede Jelinek's heroines behave. She contasts them with a male perspective as is recorded in Elias Canetti's prose. The paper consists of four parts. Part one is entitled 'Gynecriticism in Polish-Poetics, or Who Replaced the Flâneur in the Post-modern City' and it presents the history of a 'flâneur' and the reasons why he does not find a place for himself in the post-modern city. Part two, entitled 'City as an Extension of the Senses - on the Aesthetics of the Space' reconstructs Jelinek's heroines' experience of the city. Part three, entitled 'Fugitive and her Plan of the City' shows how this experience is rooted in the topography and semiotics of the city. Part four 'Stadtluft macht frei' contains an extended summary with an attempt to interpret the vision of the city and woman in Jelinek's writing. The city presented here is Vienna. The dynamic development of its architecture over the twentieth century can be seen in the attached photos.
Pamiętnik Literacki
|
2019
|
vol. 110
|
issue 3
161-182
PL
Artykuł traktuje o Hermannie Brochu (1886–1951) i Józefie Wittlinie (1896–1976), pisarzach, których połączyło pokoleniowe doświadczenie pierwszej wojny światowej. Obaj zmagali się z problemem jej reprezentacji w swoich czołowych utworach: „Die Schlafwandler” („Lunatycy”) i „Sól ziemi”. Podobieństwo między ich bohaterami jest punktem wyjścia do próby porównania biografii i twórczości obu autorów. Szkic powstał w oparciu o kwerendę materiałów źródłowych – niepublikowanej do tej pory korespondencji Brocha i Wittlina prowadzonej w latach 1945–1951 w języku niemieckim. Jest ona przechowywana w dwóch archiwach literatury: Beinecke Rare Book & Manuscript Library (Yale, New Haven) oraz Houghton Library (Harvard, Cambridge).
EN
The article treats of two writers, Hermann Broch (1886–1951) and Józef Wittlin (1896–1976), who are linked by the generational experience of the World War I. Both of them struggled with the problem of representation of the war in their seminal works “Die Schlafwandler” (“Sleepwalkers”) and “Sól ziemi” (“Salt of the Earth”). The similarities between the novels’ protagonists form the starting point to an attempt at comparing the authors’ biographies and their literary outputs. The sketch was produced as based on source text search query of so far unpublished German correspondence between Broch and Wittlin kept up between 1945–1951. The letters are preserved in two literary archives Beinecke Rare Book & Manuscript Library (Yale, New Haven) and Houghton Library (Harvard, Cambridge).
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