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EN
Nowadays the perception of culture only through the prism of autotelic values and noticing ”more useful values” in it is not the only one. As a result of this process culture is seen as a “lever” of social development in a variety dimensions − from building of competence through the creation of local ties and support of personal identity formation, to the creation of social cohesion. At the same time cultural institutions often struggle with limited financial resources necessary to fulfill the role for which they have been established. The purpose of this article is to present the possibilities of cultural institutions financing in the context of the limitations on sources of funding statutory activities by broadening their product range. Literature research and statistical data confirm the progressive process of decentralization of cultural institutions funding. Governments and local governments still remain the largest support of culture in comparison with other sectors. Still, all three spheres − the government, the market and the non-profit sphere − operate simultaneously and their penetration is rather the rule than the exception. To encourage the market and the third sphere to finance cultural projects, cultural institutions should extend the range of products by less standard (classical) product adapted to the wider audience. The presented project is an example of using the sources of financing tasks performed by cultural institutions not connected with the activities they have been established for. Cultural institutions are facing funding limitations and yet have the resources which enable the unusual activity using attractive means of expression for the customer. Owing to these measures, these institutions can deliver social (including educational and integrational) content in a very interesting way.
EN
In Polish conditions and relatively poor condition of public finances, funding protection of monuments is also made with a significant share of funds from the European Union A good example of such is the funding under the Regional Operational Programmes of individual provinces. This article attempts to present the role of Regional Operational Program in the system of financing the protection of monuments in Poland, activities related to the protection of cultural heritage and to present the project of monument protection funded by Regional Operational Program of the Opole Voivodeship. The cultural heritage of a nation in the form of material and intangible heritage of previous generations is a key to building national identity, because without it teaching respect for tradition and culture would be impossible. However, in a market economy cultural heritage in the form of monuments should be treated also as a factor supporting regional development. Presented policy on the use of funds for activities related to the protection of cultural heritage, protection of monuments and the funds allocated for this purpose that EU funds, especially the Regional Operational Program, will not replace the system of financing these activities from public funds, which is administered by the Minister of Culture and National Heritage, but they can be a good complement to this system.
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