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Angels in America. The Transition and Polish Political Theatre

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Sosnowska D., Gałązka R.
Didaskalia. Gazeta Teatralna
|
2021
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issue English Issue 2021
42-69
EN
The text is an analysis of the Polish premiere of Tony Kushner's drama Angels in America. The drama, staged in 1995 as Angels of America at the Wybrzeże Theatre in Gdańsk, directed by Wojciech Nowak, has not made it into the history of Polish political theatre. However, the testimonies of its reception today allow for a complex analysis of the entanglement of political theatre in the so-called political transition. With the help of the category of “normality”, I am trying to expose the meandering paths of emancipation in the Polish theatre of the 1990s - the time of transition.
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Work Is Always Elsewhere: Instituent Practices and the International Performing Arts Field

100%
Keil M., Gałązka R.
Didaskalia. Gazeta Teatralna
|
2022
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issue English Issue 2022
160-196
EN
The article, which is a revised and expanded version of a chapter of the doctoral dissertation Devising Institutions. Institutional practices in contemporary performing arts, applies institutional critique as a perspective for reflection on modes of production and distribution of the international performing arts circuit. Based on an analysis of hypermobility as the prevailing political condition among artists and artworkers active in this field, the text introduces the notion of situated instituent practices as a tool to reflect those artistic approaches that challenge the prevailing modes of production and distribution. The examples of works by Sarah Vanhee and Benjamin Verdonck are presented as a gesture of ‘active withdrawal’ from the dominating working modes and rhythms that opens up for a political potential of the process of ‘home making’.
3
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They Are the Future. Hope and a Call for Action

100%
Siwiak A., Gałązka R.
Didaskalia. Gazeta Teatralna
|
2021
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issue English Issue 2021
113-140
EN
The text discusses two theatre performances, h. directed by Daniel Stachuła and To my jesteśmy przyszłością (We Are the Future) directed by Jakub Skrzywanek. Both productions are primarily addressed to teenage audiences and represent engaging theatre. Their main subject is violence suffered by young people due to their psychosexual orientation and gender. The author of the article notes the efficiency (effectiveness) of the two projects, which she associates with the concept of ‘performance of possibilities’. Performative ethnography, but also experimental pedagogy, feminism and studies of homophobic violence provide the research framework for the text.
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