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Poezja emigracyjna Iriny Odojewcewej

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Witczak P.
Studia Wschodniosłowiańskie
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2017
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vol. 17
EN
Irina Odoyevtseva in 1918 moved to Petrograd and she joined the Second Guild of Poets, was tutored by Nikolai Gumilyov and become his favourite student. In 1923 Odoevtseva with her husband Georgy Ivanov emigrated to Paris. In this article author analyzes the evolution of the Irina Odoyevtseva creative imagination and the impact of the exile experience on the subject and imagery of her poetic work.
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Sprawozdanie z XVI Międzynarodowej Konferencji Slawistycznej: „Literatury i języki wschodniosłowiańskie wobec swego czasu historycznego”, 21 maja 2013 r. Zielona Góra Dnia

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Witczak P.
Nowa Polityka Wschodnia
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2013
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vol. 1(4)
264-268
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Człowiek wobec tajemnicy śmierci w krótkich formach prozatorskich Michaiła Arcybaszewa

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Witczak P.
Acta Polono-Ruthenica
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2018
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vol. Tom 3 Nr XXIII
59-68
EN
From the earliest times, people have been bending over the issue of death, trying to reach its essence. Therefore, death has become one of the leading literary motifs. The article analyses human attitudes towards death depicted in short prose forms of Mikhail Artsybashev. The writer took the position that the mystery of death is impenetrable and all attempts to discover it do not bring any expected results. The essence of death can be reached neither by mind nor through any mystical knowledge. It just needs to be accepted.
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Z dziejów emigracji rosyjskiej w Polsce – publicystyka Michaiła Arcybaszewa

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Witczak P.
Acta Polono-Ruthenica
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2017
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issue 22/2
37-47
EN
In article was analized emigration’s journalism of Artsybashev from journal “Za svobodu!”. Journalism takes a very important place in the works of Mikhail Artsybashev. The writer witnessed historic changes in Russia of the early 20th century and emigration period and condition of Russian culture and literaturę in Russia and emigration. In his many works included a great number of valuable comments and insightful analysis of the processes taking place on the territory of the decaying Russian Empire.
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Odkrywanie świadomości religijnej w literaturze emigracji rosyjskiej pierwszej fali (o powieści Druga miłość Wasilija Janowskiego)

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Witczak P.
Acta Polono-Ruthenica
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2019
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vol. Tom 4 Nr XXIV
65-76
EN
Vasily Yanovsky belongs to the younger generation of the first wave of Russian emigration. In his works, he combined the traditions of 19th-century Russian realism as well as the tendencies of Western literature in Europe. The article is an analysis of Yanovsky’s story The Second Lovein which the author shows the life in Paris from a Russian exile’s perspective. The writer gives an account of a dramatic decline in moral values in the face of poverty and loneliness by making refer-ence to the poetics of naturalism and the genre of so-called “human document”. The Orthodox faith in Yanovsky’s story becomes a source of hope for an emigrant’s survival.
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Niezauważone pokolenie emigracji rosyjskiej pierwszej fali (o wspomnieniach Władimira Warszawskiego)

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Witczak P.
Acta Polono-Ruthenica
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2019
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vol. Tom 1 Nr XXIV
63-74
EN
Vladimir Varshavsky – a representative of the younger generation of the first wave Russian emigration – went down in the history of literature as the author of the memoirs “The Unnoticed Generation”, dedicated to his generation. The article is an analysis of Varshavsky’s journals and an attempt to recreate his viewpoint on the antagonisms dividing the younger and the older gener-ation of émigrés. The paper also contains a description of polemics in the Russian émigré society which were generated after Varshavsky’s book was published.
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ODCHODZĄCA ROSJA W POWIEŚCI DAWNA PODRÓŻ LEONIDA ZUROWA

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Witczak P.
Acta Neophilologica
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2017
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vol. XIX/1
227-236
EN
This paper explores the theme of Russia in the novel Old journey written by a wellknown novelist of the first wave of Russian emigration in the 20th century, Leonid Zurov. Emigrational literary vision of Russia, overwhelmed by the element of revolution, had also its mystical aspect, where the suffering of the country was in the foreground. The messianic dimension is implied by the motif of Russia – the holy Rus.
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Proza Niny Berberowej lat 20.-30. XX wieku w kontekście wielkiej emigracji rosyjskiej

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Witczak P.
Acta Polono-Ruthenica
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2013
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vol. Tom 1 Nr XVIII
137-145
EN
Nina Berberova - representative of the first wave of Russian emigration - is known primarilyas the author of the famous autobiography Kursiv moj. The Berbberova’s prose of the 20’s and30’s was made the main topic of this article, in which the writer referred to the tradition of Russian literature of the nineteenth and early twentieth century. Berberova’s compositions were analyzed todescribe the daily life of Russian emigrants in France: Bijankurskije prazdniki, Poslednije i pervyje, Povelitelnica, Bez zakata.
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O KOBIECYCH OBRAZACH W PROZIE MICHAIŁA ARCYBASZEWA

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Witczak P.
Acta Neophilologica
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2018
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vol. XX/1
95-106
EN
This article focuses on the works by Mikhail Artsybashev, presenting a formation of a new relationship between men and women. Artsybashev depicts women’s aspirations to free themselves from masculinised and patriarchal society as well as their desire to become more independent. Artsybashev’s main female characters try to move beyond traditional roles of wives and mothers. Their rebellion against social norms and prohibitions takes various forms.
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Образ города в прозаическом творчестве Нины Берберовой

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Witczak P.
Acta Neophilologica
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2020
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vol. XXII/1
91-102
EN
Nina Berberova – a representative of the first wave of Russian emigration – is known primarily as the author of the famous autobiography Kursiv moy. Berberova’s prose of the 1920s and 30s is the main topic of this article, in which the author refers to the tradition of Russian literature of the nineteenth and early twentieth century. The urban text created by Nina Berberova is considered in the paper as a hypertext; the author distinguishes the features of this textual formation and provides the exam-ples. This urban text is interpreted not as scattered fragments but as an integrated whole. The researcher tries to identify the interpreting code of a “Parisian text” of the first emigration wave closely associated with the myth which organizes this urban text.
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Танатологические мотивы в прозе Ирины Одоевцевой в контексте диалога с литературной традицией

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Witczak P., Uniwersytet Kazimierza Wielkiego W. H.
Acta Universitatis Lodziensis. Folia Litteraria Rossica
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2014
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vol. 07
EN
The present paper brings an analysis of the motif of death in Irina Odoyevtseva’s novels "Zerkalo", "Izolda" and "Angel smerti". In the prose of Odoyevtseva, who belonged to the younger generation of the Russian Emigration (the first wave), death is a frequent motif. The author explores how Odoyevtseva refers to Mikhail Lermontov’s poems and to the Celtic story of "Tristan and Iseult"
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