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  1. 1 Slavica Wratislaviensia

  2. 1 Studia Slavica

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  1. 2 Kouba M.

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  1. 1 2015

  2. 1 2013

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Jugoslávské literární společenství a jeho rozpad v 90. letech minulého století

100%
Kouba M.
Studia Slavica
|
2013
|
vol. 17
|
issue 2
7-20
EN
The collapse of the Yugoslav federation was also a prerequisite for the disintegration of the Serbo-Croatian language. In connection with this, the key events in the 1990s of the last century were a precondition for creation of new borders also in the literary sense. Earlier controversies about the existence of the Serbo-Croatian literature unity were replaced by theoretical concepts of literary canons of the „successor“ literatures. This paper tries to analyze the situation of newly forming narratives of Serbian, Croatian, Bosnian and Montenegrin literature with an emphasis on the complex context of their historical development and contemporary interpretation of particular moments in the perspective of common borders of the new national literatures.
2

Bulharský sen o rozkoši aneb dotyky obrozenecké smyslnosti

100%
Kouba M.
Slavica Wratislaviensia
|
2015
|
vol. 161
399 - 407
EN
This article attempts to crystallize the image of women in the context of modernization of society at the time of the Bulgarian National Revival. Women, their beauty and erotic impulses are, at the beginning of the national movement, associated with the conventions of apatriarchal society, which is based on amedieval worldview. Approach to eroticism, pleasure and the ideal of female/male attractiveness during the “long” 19th century was gradually changing. This article therefore aims to interpret the outlined themes in several planes of Bulgarian National-Revival-discourse. It points out two fundamental female models in the literature of the Bulgarian National Revival: on the one hand, the image of Mother Bulgaria (“Mati Bolgaria”), on the other hand — princess Rayna (“Rayna knyaginya”). Their semiotic interpretations emphasize the dialogue with fine art. The paper in this sense observes the images of women in the paintings of Georgi Danchov and Nikolay Pavlovich.
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