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Praktyki odbioru komputerowych strategii czasu rzeczywistego w kontekście e-sportów

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Felczak M.
Homo Ludens
|
2013
|
issue 1(5)
47-58
EN
Computer games belonging to the real time strategy genre (called Real Time Strategy – RTS) are still strongly represented among the titles of the potential of e-sports. The evolution of media conventions (television) shows the electronic transmission of sport had a big impact on the modification and implementation of e-sports writers’ RTS specific solutions in almost all parts of the games – from the interface through the mechanisms, to the text communication tools. In recent years one can observe the stronger impact of these changes on mainstream gaming industry strategies and playing practices, which are designed and modelled on a unified, centrally-imposed key.
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El Presidente doświadcza. Mechanizmy kapitalizowania produktywności graczy w seriach „Tropico”, „Torchlight” oraz Diablo”

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Felczak M., Jagielloński U., Mgr Mateusz Felczak – doktorant Instytutu Sztuk Audiowizualnych UJ c. P. T. B. G. Z. n. k. k.
Replay. The Polish Journal of Game Studies
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2015
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vol. 02
EN
In popular economic discourse, productivity is the ratio of the value of manufactured goods to the initial input. In games, the input can be placed on the players’ side: players invest their time, financial resources, and cultural capital in order to achieve certain benefits, which are “produced “ in the course of the game. The status of this benefit is dependent on the context, but developers make such players’ productivity a key strategy used in promoting and maintaining a game and its fan base. The paper analyses three games: "Tropico III", "Diablo III" and "Torchlight II", in the context of ideological underpinnings of game mechanics that support the notions of using fan’s free labour, taking advantage of their non-game activities via the auction house and forcing them to internalize neo-colonial stance, respectively.
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