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EN
This paper deals with a Croatian Visio Philiberti: it is about Josip Stojanović’s poem, Tuxba dushe i tila (1794) which, although belonging to the Enlightenment, does not contain the literary features of which period, and actually belongs at the end of a centuries-long Christian tradition of the medieval type. The paper specifically deals with the incipit of the poem, or the segments that relate to the dream and the vision of St. Bernard, that is to say with the debate between the Body and the Soul, which was very common in European literature.
EN
The paper deals with the theories of Ruđer Bošković (1711–1787) on senses. Bošković did not systematically present his approach, but it can be considered on the basis of his works on optics, but, firstly, in his Theoria Philosophiae Naturalis redacta ad legem unicam virium in natura existentium (Vienna 1758). In this study the basic concepts of Bošković’s viewpoints on senses regard the genesis of our individual ideas that are acquired through the senses, which are based on the principle of causality. For Bošković senses are directly related to the ideas, actually to the so-called acquired ideas. Our senses are, however, limited and that is the reason why we cannot experience the absolute change of state.
EN
This paper deals with the motif of aging in the works of the Yugoslav writer Borislav Pekić (1930–1992). Pekić dedicated both an essay (1987) and the drama Five O’ Clock Tea to the theme of aging, – in both works aging is shown in a very negative light, and old people are seen in an antagonistic position towards young people. The motif of aging, however, in Pekić’s work has other connotations such as creativity (“Megalos Mastoras”), uncertainty and the natural inevitability of the passage from one phase of life to another (1999), eternity (The Golden Fleece), and wisdom (Atlantis).
PL
Proponowany tekst dotyczy motywu starości w twórczości jugosłowiańskiego pisarza Borislava Pekića (1930–1992). Zarówno w zbiorze Pisma iz tuđine, jak i dramacie Five O’ Clock Tea pisarz poświęcił tej tematyce wiele miejsca. W utworach tych starzenie się ma konotację wyraźnie negatywną, gdyż osoby sędziwe przedstawione zostały tu w sposób antagonistyczny w stosunku do osób młodych. Motyw starości w twórczości Pekicia ma jednak także inne konotacje, takie jak kreatywność („Megalos Mastoras”), niepewność i naturalną nieuniknioność przechodzenia od jednej fazy życia do drugiej (1999), wieczność (Złote runo), jak również mądrość (Atlantyda).
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