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Poetika hibridnih multižanrovskih pesničkih tekstova Ljubomira Micića i Branka Ve Poljanskog

100%
Đurić D.
Poznańskie Studia Slawistyczne
|
2012
|
issue 2
EN
In the text I will focus on Zenitist poetry by Ljubomir Micić and Branko Ve Poljanski. I will construe a new discursive framework, which will make it possible for us to understand their multigenre  texts  as important  items  in  the  national poetry  canon.  I  will  contextualize  the general characteristics of European avant-garde poetry practices, which were used by Micic and Poljanski in order to interpret the specific place of Zenitism as a general Balkan avantgarde movement, participating in a significant way in the European and world avant-garde.
SR
In the text I will focus on Zenitist poetry by Ljubomir Micić and Branko Ve Poljanski. I will construe a new discursive framework, which will make it possible for us to understand their multigenre  texts  as important  items  in  the  national poetry  canon.  I  will  contextualize  the general characteristics of European avant-garde poetry practices, which were used by Micic and Poljanski in order to interpret the specific place of Zenitism as a general Balkan avantgarde movement, participating in a significant way in the European and world avant-garde. 
2
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Diskursi feminizma i modernizma u esejima Julke Chlapec Đorđević i Jele Spiridonović-Savić

100%
Đurić D.
Poznańskie Studia Slawistyczne
|
2014
|
issue 6
EN
I start from the definition of Serbian Yugoslav bourgeois culture as a semi-peripheral and having this in mind, I tend to analyze the essays by Julka Chlapec Đorđević and Jela Spiridonović-Savić, from the perspective of the world systemic theories applied to literature.
3
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Politika i teatar: „Zoran Đinđić” Olivera Frljića i „Oni žive” Milana Markovića i Maje Pelević

100%
Đurić D.
Poznańskie Studia Slawistyczne
|
2013
|
issue 5
EN
In this paper, I am dealing with the political theater and performance. Both performances question the borders between artistic and non-artistic fields, and work with concept of documentary drama. Frljić’s play is realized within the post-drama paradigm, for which the idea of politics of theatrical form is important since it deals with the signifiers. Using the post-drama paradigm, Frljić in his play works with political discourses active in Serbian society in last 20 years. He touches the hidden collective traumas, and by this causes political reactions of the audience and media, which I discuss. Marković and Pelević take the political parties to be the space for their performance. Their performance has three levels of performing. The first level is their membership in different parties, the second one refers to performing the text as a drama play, published in Scena magazine; and the third level concerns their performance’s public reading by the audience.
4
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Feministička teorija između globalnog, regionalnog i lokalnog

75%
Đurić D.
Poznańskie Studia Slawistyczne
|
2015
|
issue 8
407-410
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