This paper will deal with the problematics of cultural self-representation in Ernest Hemingway’s The Sun Also Rises. I shall approach this theme by applying concepts from Edward Said’s Orientalism and Jean Baudrillard’s America to Hemingway’s novel and discussing the limitations of such theories which - it will be argued - oversimplify the issue by reducing it to an opposition between ‘Self’ and ‘Otherness’.
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.