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(Title in Roma language: E Rromenqeri muzika and-i Polska. Analiza e xaingenqerithaj akanautni situacia e rodlarimatenqeri). The source documentation and research on music of the Polish Gypsies have relatively short tradition and are limited to only few papers. Among the written sources, the most extensive collection of Gypsy songs texts is work by Izydor Kopernicki 'Textes tsiganes, contes et poésies'. Also Jerzy Ficowski placed a lot of songs texts in his publications. The first transcriptions and analysis of the melody of Gypsy songs were included in the master's thesis of Ewa Kafel, titled 'Songs of Gypsies of Czarna Gora near Bukowina Tatrzanska '. Transcriptions of songs by Teresa Mirga and score of works by Edward Debicki have been included in the master's thesis of the author of this article. In addition Agnieszka J. Kowarska was dealing with the problems of Gypsy dances in Poland. Among the phonographic sources the best documented traditional Gypsy repertoire are the field recordings by the Hungarian ethnomusicologist Katalin Kovalcsik, who in 1986 was conducting her research in the south of Poland. Within the context of the limited research undertaken, the musical repertoire of the Carpathian Gypsies has been well documented. However our knowledge about traditions of Lovara and Kalderash is even less.
EN
(Title in Roma language: Mre Devlesqe gilavav me. E Rromenqero bagaipen, basalipen aj identiteta dr-o miskaipen e pokaime khangerenqere). The article refers to the conversion of Gypsies in Pentecostal societies. Since the day French pastor Clement Le Cossec converted the Manush Gypsies in the 1950s, the Pentecostal movement has gained popularity among Roma in Europe and both Americas. The most appealing Pentecostal idea for the Gypsies is the necessity to overcome ethnic barriers. Converted Roma people gain the opportunity to become members of society without being labeled as outcasts, or pushed away as a result of ethnic bias. Polish peculiarity of the problem has been shown on the example of a Gypsy community in Bystrzyca Klodzka, made up of Carpathian Gypsies. The author describes the community through Gypsy religious music, a means of expressing their religious and ethnic identity through unique musical instruments, style and performance.
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