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The article refers to the works by Tomasz Stępień, Adam Kulawik and some other scholars who described the genesis of Gałczyński’s poem Serwus madonna. This lyric was written for Natalia Gałczyńska but after the adjustments made by Stanisław Piasecki it became a reli-gious poem. The author explains the reason of misunderstandings and the meaning of the word ‘madonna’ which was incorporated into Polish from Italian in 19th century and had two meanings: secular and religious. The poet followed the advice of the editor of “Prosto z mostu” and accepted his adjustments in the meaning of the poem.
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In her article the author describes different types of poetic images of the nature. Putting together Pan Tadeusz by Mickiewicz and Wspomnienie by Leśmian she focuses on so-called reflected images (which realize Mickiewicz’s principle “I see and describe”). The author puts together the stylistic and linguistic devices used by the poets. In the final part she briefly discusses the images created by the poets’ imagination.
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