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EN
The article includes the analysis of Leo Lipski's work called Niespokojni which was published in 1998, after Lipski's death. This novel is actually a type of literary work that can be termed work in progress (well-known model of modernist literary work). Lipski wrote this novel through all his life and probably did not finish it. We can also say that Niespokojni is a form of open work (furthermore the textual form of Niespokojni is a cross-border form and is a something in between poetry and prose) - this type of literary work allows for many modes and ways of thinking about literary subject's issues, also problems of literary experience etc. and it proffers a many possible readings and interpretations of course. As for the thematic issues for this novel we can say that the Niespokojni address mainly the following problems lost and absence, memory and cognitional initiation. The main aim of article is an attempt to describe Lipski's novel as a work that has its source in the experience of absence and trauma, an incomprehensible wound as much internal as the bodily, as real as fictional.
Anthropos?
|
2011
|
issue 16-17
178-185
EN
In this dispute author puts these - more or less possibility of diagram which constitutes human subjectivity as possibility of the homestead in the own way. He marks - homestead of own will not to be understand as place order, objective, standing behind world of living; also it will be not a place of underlined space which keeps human in a safe borders. It will be a place understanding as homestead fund on consideration 'from outside'. In such a perspective, homestead will be a epistemological project and capacity for infinity. Homestead is also dealing with own potential of human interior. Author confirms, as the result question about place for living will be question about localization at all. That is crucial, if man would like to see his own subjectivity. Next part consists of analyze which is connected with Samuel Beckett's poem, called 'Fin de partie'. It is possible to treat Beckett's creativity as characteristic homestead ontology, especially if reader will make a trial of finding a way back into the place marked by address. For Beckett homestead is a manifestation of every single thing which is connected with everything what is located behind and what is consider as dangerous. That is why, homestead is located in paradigm of something which is inexpressible. In fact, every single calling makes a distance, removal as its own attribute. Calling is a perspective of new entrance into the changing language and world space. Homestead is possible to achieve, when human will discover, that it is not kind of work or terminal - as author has assured - it is a border crossing in insisting and solicitous way.
EN
The main aim of article is a question about place experience in Aleksander Wat's poem Evening - night - morning (Wieczór - noc - ranek) and his explanation concerning this literary work. The poem was written by Wat in Sicilian town (which name is) Taormina in 1957. The most important thesis in this dissertation relates to consciousness in a state of eclipse. This altered state of mind leads eventually to more intensive cognition and experience of the space and place through some kind of abolition of self-centered consciousness or through the weakening of the authority and domination of egotistical forms of awareness. On the whole, the subject matter of paper approximates to topographical turn, nonetheless the main analysis keeps indispensable distance to many ideas belonging to present humanistic theories of place.
EN
The main aim of this article is an attempt to describe some special kind and form of literary writing. The center of this consideration lay at the item between two anthropological concepts, namely health and illness. This two different concepts means by founding a distinctive particular space. This is where we could locate main sense of an eponymous wound of writing. However, health and illness are bound to categories of personal life experience which, in a manner of speaking, determines experience of writing in general. In principle all issues are based on the analysis philosophical works of Gilles Deleuze and the interpretation of same fragments from literary works of Franz Kafka.
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