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Złoto, kadzidło i mirra w dawnym kaznodziejstwie polskim

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Mazurkiewicz R.
Ruch Biblijny i Liturgiczny
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2018
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vol. 71
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issue 4
EN
This article analyzes the continuation and old Christian as well as medieval exegesis of gold, frankincense, and myrrh (Matthew 2 : 11) in Polish sermons from the fourteenth through the eighteenth centuries. In particular, I focus on those cases in which the traditional symbolism of the gifts of the Three Magi is a point of reference for conceptist interpretations that take into consideration the political, social, and religious contexts of the time.
PL
Artykuł analizuje kontynuacje i reinterpretacje starochrześcijańskiej i średniowiecznej egzegezy złota, kadzidła i mirry (Mt 2, 11) w kazaniach polskich od XIV do XVIII w. Szczególną uwagę poświęcono tym przypadkom, w których tradycyjna symbolika darów Trzech Mędrców stanowi punkt wyjścia dla interpretacji konceptystycznych, uwzględniających aktualne konteksty polityczne, społeczne lub religijne.
2

ANDRZEJA OLSZAMOWSKIEGO KOLĘDA NA ROK PAŃSKI 1616

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Mazurkiewicz R.
Rocznik Przemyski
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2015
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vol. 51
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issue 2(19): Literatura i Język
87-110
XX
This issue remembers the poems of Andrzej Olszamowski, a student of the Kraków Academy, offered as a “literary gift” for Christmas and New Year of 1616 to the author’s patroness, Regina Działyńska. Olszamowski had translated almost word-for-word a fragment of the first book of the Floridorum libri octo by a German Jesuit Jacobus Pontanus, without revealing the source of the translation, though. That material also includes an interesting example of a combination of text and graphics characteristic of the “visual poetry” of Polish Baroque.
3
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„Banderia Prutenorum”, czyli poczet chorągwi krzyżackich obalonych piórem Jerzego z Krakowa

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Mazurkiewicz R.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2020
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vol. 20
305-319
RU
The paper is dedicated to the volume of poems by Jerzy Harasymowicz, entitled 'Banderia Prutenorum' (1976). The author explores the dependence of this volume on a work of the same title, which was released in mid-15th century through the initiative of Jan Długosz. The medieval manuscript contains illustrations and short descriptions of 56 Teutonic flags captured by Polish troops in the battle of Grunwald (1410). The author of these pictures was Stanisław Durink, while the descriptions were made by Jan Długosz, among other authors. Using the illustrations of Teutonic flags from the medieval model, Harasymowicz added his own poems, showing in bad light particular troops (flags) of the Teutonic Order, as well as their great defeat in the battle against Polish‑Lithuanian forces. The author of the paper analyses the ideological‑persuasive meaning of these poems, as well as their language and depiction.  
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