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Skarb jako mnemotopos dolnoślązaków

100%
Tańczuk R.
Tematy z Szewskiej
|
2017
|
vol. Rzeczy 1(18)/2017
91-104
PL
W tekście uzasadniana jest teza, że wyobrażenie skarbu, rozumianego jako różnego rodzaju ukryte rzeczy (nie zawsze o znaczącej materialnej wartości), można uznać za jeden z mnemotoposów, w znaczeniu jakie nadał temu pojęciu Stefan Bednarek, mieszkańców Dolnego Śląska. Skarb, zdaniem autorki, jest toposem pamięci komunikacyjnej Dolnoślązaków. Jest również obecny w wymiarze fundacyjnym (kulturowym – J. Assmann) pamięci zbiorowej tej społeczności. Skarb buduje pomost między pamięcią komunikacyjną Dolnoślązaków a pamięcią kulturową dawnych mieszkańców tego regionu.
EN
The article argues that the concept of treasure, perceived as various kinds of hidden things (not always of much financial value), can be recognized as one of mnemotoposes, following the meaning attributed to this term by Stefan Bednarek, of the inhabitants of Lower Silesia. Treasure, in my opinion, is a topos of the communicative memory of the people living in the region. It is also present at the founding level (cultural – J. Assmann) of the collective memory of the community. Treasure bridges the gap between the communicative memory of the people inhabiting Lower Silesia at present and the cultural memory of the past inhabitants of the region.
2
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Nasłuchując muzeum. Kilka uwag o obecności dźwięku w przestrzeni muzealnej

100%
Tańczuk R.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
issue 1(3)
1-6
EN
Listening to Museums. Several Remarks on the Presence of Sound in Exhibition Space
3
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Pejzaż dźwiękowy Wrocławia w latach 1945-2010 – projekt badań

100%
Tańczuk R.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
issue 2(4)
75-88
EN
The article presents a research project that was prepared by members of The Soundscape Research Studio at the Institute of Cultural Studies of the University of Wrocław for the NPRH grant competition of 2015. The goal of the project was to describe transformations of the soundscape of Wrocław and the role it played in the institutional, artistic and everyday life of the city’s inhabitants. Although the grant application was unsuccessful, the project has defined one of the research areas explored by the Studio.
4
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Pejzaż dźwiękowy jako kategoria badań nad doświadczeniem miasta

100%
Tańczuk R.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
issue 1
10-19
EN
The concept of soundscape put forward by Raymond Murray Schafer and modi­ fied in various forms by other researchers offers a very interesting perspective for the reflection on the specificity of the modes of experiencing the city, esta­ blishing relationships with it, developing a sense of putting down roots and recognizing its identity. This article presents Robert Losiak’s interpretation of soundscape and demonstrates its value for urban research.
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