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Hélène Cixous: Autobiography in Question

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M’besso A. M.
Lublin Studies in Modern Languages and Literature
|
2016
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vol. 40
|
issue 2
DE
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
EN
Hélène Cixous constantly challenges any generic categorization and any autobiographical reading of her works, despite strong autobiographical evidence identifying the writer to the narrator. This challenge, as curious as it is, nevertheless has a reason to be. The works of Helene Cixous put into a narration a hybrid “I”, both fictional and real, a “Me” on the edge of a dream, which cannot have any real reference, so much so that it is impossible to read them as an autobiography, strictly speaking. Whether Les Rêveries de la femme sauvage. Scènes primitives or Le Jour où je n’étais pas là or even Philippines Prédelles, the autobiographical works on which the present study is based all have in common a challenge to any autobiographical reading.
FR
Le numéro contient uniquement les résumés en anglais.
RU
Том не содержит аннотаций на английском языке.
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Résistances à l’oeuvre dans les fictions d’Hélène Cixous

100%
M’besso A. M.
Cahiers ERTA
|
2016
|
issue 10
151-163
EN
Resistance is the governing principle of Cixous´ literary practice in such a way that her fictions are given as an act of resistance. Resistance is expressed in many ways in her works, but two forms hold especially the reader´s attention because of their recurrence. Firstly, the resistance between the book and the writer fleeing and pursuing one another in order to write a secret but without revealing it. Secondly, the resistance that concerns the fight of Cixous against forgetfulness, loss and death. Les rêveries de la femme sauvage and Si près are clear examples for this as they both highlight the action of resistance in Cixous´ fictions.
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