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Raný a pozdní Gellner: poznámky k metrice

100%
Kolár R.
Česká literatura (Czech Literature)
|
2020
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vol. 68
|
issue 3
332-355
EN
This study focuses on the poetic work of František Gellner. Its objective is to confirm or refute the assumption that Gellner’s work can be divided into two distinctive periods. By means of statistical tests it establishes the relevance of the differences between early (1894–1906) and late (1910–1914) Gellner, concluding that within the observed parameters (the proportion of binary and trinary metres; iambs and trochees; fourfoot and five-foot iambs; monosyllabic and polysyllabic iambic incipits; verses with and without enjambement; strophic and non-strophic poems; four-verse and twoverse strophes; alternating and couplet rhymes), statistically significant differences are identified. The difference in his first work Po nás ať přijde potopa! (After us the Flood!) and its inclination towards 1890s (and Lumír) poetics was also established. Attention was also focused on the difference between Gellner’s poems included in his collections and those that remained in journal publication form (triple metres as a factor supporting the inclusion of a poem in a book publication), as well as the specific nature of the epic verses (more polysyllabic incipits, more enjambement). In several places the metric similarity was pointed out between specific poems and poems by other authors (Otokar Březina, Svatopluk Čech, Josef Svatopluk Machar, Jan Neruda and Jaroslav Vrchlický).
2
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Verš raného Karla Tomana

100%
Kolár R.
Česká literatura (Czech Literature)
|
2021
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vol. 69
|
issue 1
33-53
EN
Following on from work by Miloš Sedmidubský, this study deals with syllabic irregularity (heterogeneity) in Toman’s (and Vrchlický’s) verse. It focuses on Toman’s early work, analysing individual poems and collections (particularly Pohádky krve, Tales of Blood, 1898 and Torzo života, Torso of Life, 1902). The material base is made up of 350 poems, and the differences between individual sets are checked by means of statistical tests. Syllabic irregularity is expressed in terms of entropy.
3
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Antroponyma v Magorových labutích písních

100%
Kolár R.
Acta onomastica
|
2019
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vol. 60
|
issue 2
233-239
EN
The paper deals with personal names and their functions in the poetry collection Magorovy labutí písně (1985) written by Ivan Martin Jirous (1944–2011). According to underground poetics, Jirous uses real names. The nature of naming depends on whether the person is male (one-word and multi-word naming) or female (strictly one-word naming by first name); whether the person is close to the author (usually naming by the first name or a combination of a hypocorism and the last name) or historical figure (by the last name or a combination of the official first name and the last name). In the case of names of historical figures, the dominant function is associative, in the case of names of persons close to the author the functions are phatic (a distant contact with the named person), honorific (honouring the named persons) and magic (protection of named persons). One of the key features of Magorovy labutí písně is that names are often in rhyme position – rhyming names are a sign of virtuosity but at the same time of humorous poetry (epigram, satire).
4
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Ještě k Seifertovu ranému volnému verši

63%
Kolár R., Plecháč P.
Česká literatura (Czech Literature)
|
2018
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vol. 66
|
issue 4
553-562
5
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Distribuce předpon v českém sylabotónickém trocheji

51%
Plecháč P., Hlaváčová J., Merthová K., Kolár R.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
|
2017
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vol. 78
|
issue 4
322-332
EN
The article deals with the use of prefixes in the Czech accentual syllabic trochee. We test a hypothesis raised by Miroslav Červenka, Květa Sgallová, and Petr Kaiser which states that some authors in the 19th century used prefixes to moderate rhythmical irregularities. In our analysis – based on automatic prefix recognition in a large body of poetic texts from the Corpus of Czech Verse – we observe a clear tendency in the work of some authors to employ prefixes in such contexts with a frequency significantly higher than would be expected merely by chance. Furthermore, we observe this technique to be very common in the first half of the 19th century, but to gradually disappear in later works.
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