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Dziewiętnastowieczne wydania polskich przekładów pism Świętej Teresy z Ávili

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Kacprzak M. M.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2021
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vol. 21
352-371
EN
From the 1840’s to the end of the 19th century more than twenty editions of Polish translations of texts by Saint Teresa of Ávila, as well as the ones attributed to her, were released. It was attempted to popularise her works, information about her life and thought, as well as the cult of her, knowledge about Christian mysticism and the revival of religious life. Two important bibliographies presenting the reception of Teresa in Poland: one by Stefania Ciesielska-Borkowska (1939) and the other one by Benignus Wanat (1972) require complementing and corrections, which should find reflection in contemporary editions and catalogues. The paper presents all the editions of works by Teresa (fragments, all works, collections of works, as well as paraphrases), released in Polish in the 19th-century books and periodicals. It corrects the mistakes in bibliographical descriptions, which result from mistakes in the publications themselves, as well as errors in attribution. It refers to the authorship of anonymous translations and their undetermined bases, it characterises briefly the environments in which Saint Teresa’s works were translated and published. It presents the religious, literary, social and scientific purposes accompanying the texts by Teresa, as well as translation, editorial and ideological assumptions. It shows the editions of Saint Teresa’s texts in translations or paraphrases by: Sebastian Nucerin, Ignacy Hołowiński, Nina Łuszczewska, Eleonora Ziemięcka, Michał Bohusz Szyszko, Eleonora z Paprockich Szemiothowa, Zygmunt Krasiński, Lucjan Siemieński, Ignacy Domeyko, Karmela Wiktima od Jezusa (Amalia Zenopolska), Tadeusz Miciński, Henryk Piotr Kossowski, as well as anonymous translators.
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Konferencja naukowa „Hinc Omnia. Zbiory historyczne, artystyczne i specjalne w bibliotekach oraz innych instytucjach kultury: Zbiory XIX-wieczne. Organizacja, terminologia, metodyka badań, konserwacja” Warszawa, 29-30 listopada 2017 r.

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Kacprzak M. M.
Z Badań nad Książką i Księgozbiorami Historycznymi
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2017
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issue 11
587-595
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Z refleksji mariologicznej doby reformacji. Trzy nauki na dzień Nawiedzenia Maryi Panny: Rej - Wujek - Skarga

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Kacprzak M. M.
Odrodzenie i Reformacja w Polsce
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2011
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vol. 55
PL
From the Mariological reflection of the Reformation Period. Three Teachings on the day of Visitation of the Virgin Mary: Rej - Wujek - SkargaThe article presents the interpretation of three sixteenth–century sermons on the celebration of the Visitation of the Virgin Mary: from Postylla by Mikołaj Rej (1556–1566), from Postilla katolickaj mniejszaj by Jakub Wujek (1579–1580) and from Żywoty święte by Piotr Skarga (1579), also recalling the homilies on the day from the collection Postilla catholica by Wujek (1573) and from Kazania na niedziele i święta by Skarga (1595). The article describes the teaching of a Protestant preacher and two Counter–Reformation preachers associated with the Mariological dogmas (especially the divine motherhood) and devotion to Mary (in the context of the discussion about the merits of the cult of Our Lady and manner of celebration of the Marian recollections) and monitors the moralistic content (universal and targeted at women) and shows the mutual relations of the texts.
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Mikołaj Rej między katolicką parafią a księgozbiorem ewangelika (na marginesie książki Pawła Stępnia Śmiech w czasach ostatecznych. Tematyka religijna w „Figlikach” Mikołaja Reja)

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Kacprzak M. M.
Odrodzenie i Reformacja w Polsce
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2013
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vol. 57
5
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Lucjan Rydel jako badacz i wydawca literatury dawnej – dzieje edycji „Jerozolimy wyzwolonej” Torquata Tassa w przekładzie Piotra Kochanowskiego (Kraków 1902–1903)

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Kacprzak M. M.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2019
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vol. 19
79-96
RU
The article discusses the research and editing work of Lucjan Rydel related to the Old Polish literature – the two-volume edition of Torquato Tasso’s Gerusalemme liberata, translated by Piotr Kochanowski as Goffred albo Jeruzalem wyzwolona, prepared by Rydel and published in Krakow in 1902–1903 by Polish Academy of Arts and Sciences in the series Biblioteka [96] Marta M. Kacprzak Pisarzów Polskich (Polish Writers’ Library). It is the result of Rydel’s research on the life and work of Piotr Kochanowski – Jan Kochanowski’s nephew, Renaissance poet, Polish translator of Ariosto and Tasso. In the Biblioteka Pisarzów Polskich it was planned to publish, in addition to Goffred, a 5-volume edition of Ariosto’s Orlando furioso translated by Piotr Kochanowski and a monograph on Kochanowski. Rydel’s materials for these books were lost during World War II, but they are known from the accounts of Józef Tretiak and Roman Pollak. Rydel’s edition of Goffred was critically reviewed by Adam Antoni Kryński, Ignacy Chrzanowski and Aleksander Brückner.
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Dziewiętnastowieczne edycje literatury staropolskiej a światopogląd polskiego modernizmu. Rekonesans

100%
Kacprzak M. M.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 33
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issue 3
109-136
EN
1890–1918 was a time of intensive development of editorial works on literary texts, continuing workshop and ideological explorations in publishing work that started in the early nineteenth century. Chief editorial tasks and objectives were defined, principles were developed and a growing number of new editions of Old Polish works were made available. Did introducing them into readership and social awareness contributed to changing the outlook of the modernist era? Did historical phenomena, national traditions and myths found in traditional Polish literary works became a component of the modernist worldview thanks to those editions? The article is an invitation to examine an important aspect of publishing movement of 1890–1918, arguing that finding an answer to the question about the place of editions of Old Polish literature in the cultural and literary life as well as intellectual and artistic profile of Polish modernism may contribute to its specificity being recognised within European culture.
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