Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 5

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Patriotyczno-narodowy aspekt starości w ideologii i literaturze bułgarskiego odrodzenia narodowego

100%
Jóźwiak W.
Slavica Wratislaviensia
|
2016
|
vol. 163
689-699
EN
Old age as aconstant, necessary attribute of life has been apoint of interest of the writers since the latest times. Its presence in the culture distinguish various intensity, and its perception oscillates anywhere from negation and disdain to elation and affirmation; nevertheless it always proves that literature pays attention to various stages of getting old. Following Bulgarian national renaissance in the first part of 19th century, in aBulgarian society took place broad, revolutionary generation change — programme of which could be found in the literary texts. Typical image of an old mother — personification of Bulgaria — simple women abandoned by her dear ones, anguished by malicious enemies yet unwavering and defending tradition becomes asymbol of the changes needed in the society.
BG
Старостта като неотменна и задължителна част от живота още в най-далечни времена се превръща в тема на множество литературни текстове. Тя присъства в културата с различен интензитет, а начинът, по който се оценява този последен етап от човешката екзистенция прилича на синусоида, променяща се с течение на времето от отрицание и презрение до възхита и утвърждаване. Едновременно с това присъствието на тази тематика доказва, че литературата проявява постоянен интерес към различните етапи на остаряването. Българското Възраждане от първата половина на XIX век става двигател на широка, революционна смяна на поколенията в българското общество, чиято програма е отразе­на в множество литературни текстове. Характерният образ на старата майка — персони­фикация на България — обикнове на жена, изоставена от най-близките си, подтискана от жестоки врагове, но непобедима и защитаваща своята традиция — се превръща също така в символ на необходимите и неотложни обществени промени.
2

Bułgarski sen o dziewiętnastowiecznym odrodzeniu narodowym

100%
Jóźwiak W.
Slavica Wratislaviensia
|
2012
|
vol. 155
49-57
EN
The Bulgarian dream about the nation forming process that started in 1762 and brought an end to the five-century Turkish slavery after the 1877–1878 Russian–Turkish war is aprocess that was mythicized and stereotypicized and became avery selective vision that held aconsiderable influence on the historical memory of the contemporary Bulgarians. It is apicture that producesthe conviction that the processes undergoing among the Bulgarians under the Turkish rule since theend of the 18th century were successful. However, their “flawlessness“ was questioned even by the activists of the last phase of the Bulgarian national revival, who emphasized the peculiar illusion of the process. Their opinions were subsequently developed in anumber of literary and journalistic works written by the authors who attempted to answer the questions about the social attitude of the Bulgarian society. It seems that this important and complex national project, so fundamental for the modern Bulgarian history, remains unfinished.
3

Filmowy obraz chrystianizacji państwa bułgarskiego – pomiędzy sztuką a ideologią

100%
Jóźwiak W.
Studia Wschodniosłowiańskie
|
2013
|
vol. 13
309-320
EN
Bulgarian cinema devoted to history, especially the part related to 1300th anniversary of the existence of Bulgaria, became an effective tool of propaganda. By using the significant moments of the history of the Bulgarian state and the nation, the authorities influenced the historic consciousness of people while legitimizing the power and the actions taken by authorities and by posing as the continuators of the great historic deeds of the rulers from the past. In this context the christening of the country was – due to mainly ideological reasons – stripped from the religious significance and became the founding moment of state creation, uniting the Slavicand proto-Bulgarian ethnos, thus founding the Bulgarian nation which developed finally into the socialist Bulgarian People’s Republic.
4

Bułgarzy „dotykają” historii — rola przeszłości historycznej w bułgarskim odrodzeniu narodowym

100%
Jóźwiak W.
Slavica Wratislaviensia
|
2016
|
vol. 162
39 - 48
EN
The nineteenth-century national revival in Bulgaria can be described, above all, as aperiod of building national identity and ethnic community ties. The origin of such aprocess was the fact that Bulgarians decided to turn to their long forgotten past. The process of discovery, learning and becoming aware by “touching” using all the senses symbolically began with the Paisij Chilendarski’s text. It became the key element of along list of Bulgarian literary and journalistic works that were ingrained in the ideology of rebirth and revival and laid strong foundations for the first Bulgarian historical novel by Lyuben Karavelov, published between 1873 and 1874.
5
Publication available in full text mode
Content available

Zbrodnia u korzeni bułgarskiej państwowości? Próba interpretacji na podstawie bułgarskich powieści historycznych

100%
Jóźwiak W.
Poznańskie Studia Slawistyczne
|
2021
|
issue 21
229-248
EN
The foundations of the medieval Bulgarian state are inseparably paired with the adoption of Christianity. At that time an event occurred which based on modern terminology ought to be described as coup d’état. As a consequence a cruel punishment was administered by the ruler, prince Boris. A bloody execution of all the 52 rebelled houses became an immanent symbol of the rise of the Christian Bulgarian state and plays an important role in the novels related to the history of the medieval period of the state. The literary vision of the Bulgarian authors of the socialist era presents that tragic occurrence almost as a founding murder and in accordance with Foucault interpretation as a bloody spectacle of suffering that was a demonstration of the power of the sovereign over his subjects, and following Girard can be described as specific collective sacrifice.
PL
U początku kształtowania się średniowiecznego państwa bułgarskiego, w nierozłącznej parze z przyjęciem chrześcijaństwa legło wydarzenie, które zgodnie ze współczesną terminologią należałoby nazwać próbą przeprowadzenia zamachu stanu oraz jego konsekwencja – okrutna kara wymierzona buntownikom przez władcę, księcia Borysa. Krwawa egzekucja wszystkich członków 52 zbuntowanych rodów stała się immanentnym symbolem powstania chrześcijańskiego państwa bułgarskiego i zajęła ważne miejsce w powieściach historycznych przedstawiających dzieje średniowiecznego państwa. W literackiej wizji bułgarskich autorów doby socjalistycznej to tragiczne wydarzenie zostało przedstawione jako niemalże mord założycielski, lecz także zgodnie z interpretacją Foucaulta krwawy spektakl kaźni wyrażający władzę suwerena nad poddanymi oraz charakteryzowana przez Girarda specyficzna ofiara zbiorowa.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.