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EN
The article’s essence was the assessment of 45 years of the Polish People’s Republic, emerging from the rock press, both immediately after the fall of communism and in later years. Contrary to appearances, magazines popularizing rock and its related genres did not limit their topics to musical issues; for this reason, the long-awaited regaining of freedom, including the freedom of speech, also in print, almost automatically triggered the need to confront the past era. Editors, publicists, columnists, and commentators, whose original style and colourful language enriched the content, presented their opinions, thus providing – from today’s perspective – an additional source of information about the Polish People’s Republic, the transformation and the beginnings of the Third Republic of Poland.
PL
Istotą artykułu jest ocena 45 lat powojennej Polski, wyłaniająca się z prasy rockowej, zarówno bezpośrednio po upadku komunizmu, jak i w latach późniejszych. Pisma popularyzujące rock oraz pokrewne mu gatunki, wbrew pozorom, nie zawężały tematyki wyłącznie do zagadnień muzycznych, stąd długo wyczekiwane przez społeczeństwo odzyskanie wolności, w tym słowa czy druku, niemal automatycznie wywołało na ich łamach potrzebę konfrontacji z minioną epoką. Swoje opinie odnośnie do przeszłości wyrażały redakcje, publicyści, felietoniści, komentatorzy, których oryginalny styl oraz barwny język stanowiły urozmaicenie podstawowych treści, z dzisiejszej zaś perspektywy – dodatkowe źródło informacji o PRL, transformacji i początkach III Rzeczypospolitej Polskiej
PL
This article is both a thread and a complementation of the issues surrounding programmes of Aleksander Bregman entitled “Kaleidoscope”, broadcast in 1960–1966 by the Munich–based station of Radio Free Europe. The overall subject of the programmes, as well as the precise delineation of relations between politics and media and society have been undertaken in separate papers; however, the course and evaluation of the integration process of the old continent’s western part in Bregman’s commentaries, deserves an individual consideration. Several reasons dictate that it should be so. Primarily, the complexity of this subject matter should be emphasised. The author of “Kaleidoscope” perceived the unification of Western Europe in several aspects, therefore the structure of the text should incorporate, albeit setting it apart, Bregman’s personal and subjective impressions, associated with his stay in Brussels and the observation of Union institutions at work. These were delivered to the listeners in a series of special programmes in the shape of objective accounts, which explained formal decisions taken by governing bodies of individual states. At the time, Bregman lived in London, therefore the attitudes of the government and society of Great Britain occupied a particular place in his programmes, as did the assessment of the Whitehall’s standpoint and decisions among the member states.“Kaleidoscope” was typified by a tremendously broad thematic scope in terms of issues addressed by the author. One of the most important among those which interested him was the aforementioned issue of the run of integration processes in the early 1960s, with particular emphasis on the initial solicitation and accession talks of the Brits with the states of “the six”. This thread, being the chief subject of this paper, is nevertheless extended to include the standpoint of other member of the British Commonwealth on Britain’s attempts do join the Common Market. Also, the then situation within the Commonwealth as well as the further expediency of its existence has been analysed. The commentaries of A. Bregman concerning the general operation of the authorities in Brussels, have been discussed separately.
Zeszyty Prasoznawcze
|
2014
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vol. 57
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issue 3
565-591
EN
Tylko Rock (Only Rock) 1991-2002Tylko Rock is the first magazine that was covered by complementary, thorough research in media studies. A monthly magazine for over a decade (1991-2002), it gained a unique position because it combined many years of experience and history of Polish journalism and (rock) music press with a new model, which began to crystallize during the transition period, since 1989. In addition, the analysis also allows to formulate some conclusions about the current (and future) position of this press segment. Journal editors tried to keep the title at the appropriate editorial and content level. In the view of the author, this article had to fulfil three basic tasks. First, to disseminate the results of research conducted by the author for several years. Secondly, it was about the methodological and substantive enrichment of the new area (subdiscipline) of scientific exploration and cognitive interests, initiated and successfully developed by the author, which in Poland have neither in the Polish People’s Republic, nor in the Third Republic, been yet implemented, that is in the field of music journalism. Finally, the author’s intention was to introduce the most important and most interesting rock magazine in Poland (certainly after 1989) to a wider audience.
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