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EN
In this article, the author follows through two main lines of controversy concerning the so-called Grass case, in its German as well as Polish aspects. He shows how this case was excessively influenced by politics. He analyses the Grass case, and tries to understand some reasons, by which the writer was persuaded to so long-lasting silence about his service in Waffen SS. According to him, the main reason of this silence was his fear of public opinion, towards which Grass wanted to play a role of a certain authority. The author concludes that an artist cannot escape from moral responsibility too easily, especially when he is a writer and a public person at the same time. Additionally, he mentions some problems which appear by the way, revealed by the Grass case.
EN
In the article the author asks how to read and understand Nietzsche's work correctly. A basic framework for this question is circumscribed by existing styles of reception, evaluation of Nietzsche's testimony, and confrontation of his methodological consciousness and intention with the methodological consciousness of contemporary scholars. In conclusion, though there is not the only unfailing method to read and understand Nietzsche 'correctly', some styles of reading seem to be more acceptable than others. On the one hand, we should not neglect the structure of his work, but on the other, in order to defend the autonomy of interpretation, we should avoid blind following the style of reading, as is suggested by Nietzsche himself.
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