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The article takes up the question of relationship between cubism and literature. According to the author, an approach analogous to the cubist representation of objects, shown as if simultaneously from various points of view, can be found in literature in an elimination of perspective and time as well as the tendency to represent history and situations without considering the participation of the text’s narrator or main character. Some tendencies of this kind appear in certain surrealistic poems and existentialist novels, while in Polish literature we encounter them in the works of Helena Boguszewska.
EN
The paper presents some parallels between Dostoyevsky, Ka a and writers working in the atmosphere of their ethic hesitations and aestheticsolutions. On the example of works of Bruno Schulz and Karel Capek the ˇ author discusses different kinds of ridiculousness of literary characters,their actions and the situations, in which they are placed either consciously or unconsciously. Pointing to similarities and differences in the creation of degraded heroes, she observes that they are connected with existential problems discussed by writers and belong to the sphere of “aestheticdiscussion”, not to the sphere of traditional influences.
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