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EN
This article presents briefly how the author conducts image analysis of citizen journalism. The research involves sociological methodology called Grounded Theory (to be more specific — its visual, constructivist version). The author not only describes the following stages of the project (from open coding to post-research literature review), but also indicates the benefits and drawbacks of the approach. Futhermore, the Grounded Theory is considered as a useful way applicable to critical discourse studies, as this field especially seems to require some new, unconventional methods for the well-equipped researcher’s toolbox.
EN
This paper aims to present a didactic version of Latourian actor-network theory, referred to as controversy mapping. Deploying an un-black-boxing style of analysis, both the concept of controversy (and its history in the sociology of scientific knowledge) andmapping are dealt with. Apart from elucidating recent reformulations of the cartography of controversies as well as possible development of the method, I seek to scrutinize this way of thinking applied to the humanities beyond the STS and ANT primary areas of research.
Prace Kulturoznawcze
|
2012
|
vol. 14
|
issue 2
79-86
EN
Inspired by Donna Haraway’s writings, the author indicates that a significant part of post-humanities could be regarded as a reflection on technologies, of which the digital and network (so-called new) media seem to show a particularly strong non-anthropocentric potential. This reflection, distinct from earlier established technophilic and technophobic positions, lies within the framework of critical posthumanism. The scientific and artistic undertakings mentioned in the article, but also the daily encounters of humans and machines are shown as cyborgising phenomena. Accentuating the nonhuman agency and reassembling the organic and non-organic, the relations between people and technology have grown to be a challenge for “ontological hygiene” and bring about many epistemological and ethical tasks.
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