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RAINER MARIA RILKE AND HIS MYSTICAL RUSSIA. A PORTRAIT OF THE SENSE OF HOME OF AN ETERNAL

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Wawrzynek K.
Studia Europaea Gnesnensia
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2013
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issue 7
263-284
EN
This article concerns the problem of searching for the true home(land) by one of the greatest poets and writers of the German Modernism,  Rainer Maria Rilke and its reflection in his earliest and most famous works: “The Sacrifice of the Lares” (1895), “The Book of Hours” (1899) and “The stories of God” (1900).  It shows the long way of an eternal pilgrim, who tries to find his true home. After leaving Prague, together with his great love Lou-Andreas Salomé he undertakes two extensive trips to Russia in 1899 and 1900, impressed by the deep and mystical relationship between the ordinary people and their land as well as God. He is convinced that he has finally found his true home in the untouched nature of Russia    
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Iluzja i deziluzja. Dążenie do wolności pokolenia '68 i jego konsekwencje na przykładzie próby odnalezienia siebie, dziecka tego pokolenia, w powieści Zoe Jenny pt. „Kwietny pył”

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Wawrzynek K.
Studia Europaea Gnesnensia
|
2016
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issue 13
99-119
EN
In this article, the example of a child of the ’68 generation, in this case Jo, a protagonist in „The Pollenroom” by the Swiss author Zoë Jenny, serves to illustrate the conflict between the ’85 generation and the ’68 generation and its serious consequences, which concern the urge of freedom, the ideals, the anti-authoritarian view of life, women´s movement as well as the overcoming and disintegration of traditional conventions and structures of society. The characteristic traits of the ’68 generation have fatal repercussions for its descendants. The author seeks to show how difficult it could be to live in this estranged world and find oneself for a child abandoned by its parents who pursued their ideals and the fulfilment of their dreams.
3
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Rainer Maria Rilke i jego „słowiańska dusza”. Praga jako rodzime miasto poety na drodze ku odnalezieniu samego siebie w swej „prawdziwej ojczyźnie” – Rosji

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Wawrzynek K.
Studia Rossica Posnaniensia
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2015
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vol. 40
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issue 2
45-52
PL
 This article refers to the inner feelings of Rainer Maria Rilke, who is one of the most outstanding poets and prose writers of German modernism. It attempts to show Rilke’s Slavonic soul and investigates his poetry in order to find out how he tried to discover himself and find his true homeland in Russia by beginning his journey of self-discovery in his hometown, Prague.
4
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Seelische Unbefangenheit - das Kind als wahrer Mystiker im Zeichen der „Blauen Blume” bei Novalis und Philipp Otto Runge

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Sebesta J., Wawrzynek K.
Studia Europaea Gnesnensia
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2014
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issue 9
9-21
PL
The aim of this article is to show the role of an innocent child as the true mystic, which formally represents the completion of the “Blue Flower”, the main symbol of the German Age of Romanticism, the epoch of yearning for the infinity, inner unity, love and redemption. These aspirations, encapsulated in the notion of the innocent child as the true mystic is particularly manifest in the literary works of Novalis and the paintings of Philipp Otto Runge.
5
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Dzieje niemieckojęzycznych przekładów i wydań Biblii od IV do XVI stulecia

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Wawrzynek K., Sebesta J.
Studia Europaea Gnesnensia
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2011
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issue 4
153-174
PL
The culture of German language owes much to the dynamic development and permanent work on translation of the Bible. The national character of the translations, which accompanied the waves of evangelization also matched the phases of the devel-opment of German language, and had an accordingly huge influence on the literary works of the German speaking territories. Since the gothic translations a continual tendency may be observed that the Bible has to reflect, as precisely and accurately as possible, the mentality and notions of the inhabitants of the German lands. The many sections of Christianity which existed in Europe, decided about the diversity of transla-tions and interpretations of the Holy Scripture.
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Clara Schumann-Wieck: ihre drei Männer und der lange Weg zur Freiheit

63%
Sebesta J., Wawrzynek K.
Studia Germanica Posnaniensia
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2011
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issue 32
39-52
DE
Clara Schumann-Wieck: ihre drei Männer und der lange Weg zur Freiheit
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Światło w kontekście filozofii paradoksu Mikołaja Kuzańczyka

63%
Wawrzynek K., Sebesta J.
Principia
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2011
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vol. 54
PL
Nikolaus Krebs w kręgach filozoficzno-teologicznych wczesnego Renesansu znany raczej jako Mikołaj z Kuzy (1401-1464) należał do nowożytnych platoników, podobnie jak Pseudo-Dionizy Areopagita, zwolennik Proklosa, tworzył zręby teologii spekulatywno-mistycznej, a w rzędzie myślicieli obszaru niemieckojęzycznego zajmował czołową pozycję dzięki wyłożeniu w swych pismach teologicznych i matematyczno-filozoficznych problematyki światła w jak dotąd najznamienitszy. Symbolika światła stanowi u niego szczyt rozważań, których głównym tematem było doświadczenie sprzeczności oraz próba ich przezwyciężenia. Pokonanie tychże zachodzi ostatecznie, zdaniem Kuzańczyka, na wyżynach Boga, w nieskończonej jedni tworzącej unię mistyczną (unio mystica). Filozof odwołuje się tu do nauki Heraklita o wiecznym strumieniu wszechrzeczy.
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