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Obscénnosť v textoch Honzy Krejcarovej

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Zajac P.
Slovo a smysl - Word & Sense
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2017
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vol. 14
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issue 28
15-24
EN
The starting point for this reflection on the poetry by Honza Krejcarová are two proposals by Roman Jakobson about obscenity. According to Jakobson, function is the ‘fundamental and intentional organizer’ of a text and the crucial marker or attribute of its ‘poeticity’. Jakobson demonstrates this on the example of the diaries by Mácha, i.e., autobiographical texts, which for him acquire a poetic function. Their obscenity is acceptable for him not on a cultural-historical, but poetological basis. Jakobson rehabilitates the poetic function of obscenity, but at the same time passes up the opportunity to demonstrate the functional difference between poetry and prose, lyrical and autobiographical genres. This reflection on the function of obscenity in Krejcarová’s poems V zahrádce otce mého (In My Father’s Garden, 1948) and in her letter to Zbyněk Fišer (Egon Bondy) and Julie Nováková (probably from 1962) is based on the double meaning of obscenity as an erotic, bodily function and as the basic existential attribute of an infamous, disreputable and/or insignificant person. Through this doubleness, Honza Krejcarová unexpectedly alludes to obscenity in the work by Božena Němcová. Finally, this reflection looks closely at the poetological difference between Krejcarová’s poetic texts and her letters as examples of the autobiographical genre. In addition, it shows how Krejcarová’s poetry, by turning around the relationship between the metaphor and the metonymy, creates a poetry of total realism.
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Od estetiky k poetike chvenia

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Zajac P.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2019
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vol. 60
145-153
EN
The paper is built on the formulation by Vladimír Svatoň about the binary aesthetics of beauty and nobleness in modern literature from the 18th to the 20th century, and it outlines the historical line of the aesthetics of nobleness from the ancient times until the present. Subsequently, there arises a question of a possible transition from aesthetics to the poetics of shimmering as a part of a new poetics following the constituent rules, grammars and algorithms of the creation of literary texts and events. At the same time, existential poetics, a means of expression and a manifestation of the situation of human being, is reflected.
3
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THE LONG SLOVAK NINETEENTH CENTURY (Dlhe slovenske devatnaste storocie)

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Zajac P.
World Literature Studies
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2011
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vol. 3 (20)
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issue 1
17-24
EN
The article approaches the phenomenon of Slovak literary Romanticism through the idea of the so-called 'long 19th century', a longer perspective than the duration of the so-called national revival. The anti-modernist attitudes of a great part of the Slovak literary intelligentsia throughout the 19th century can be suspended in the cultural-historical or social-historical idea of modernization. With the hindsight of the contemporary struggles between the empirical and constructivist historiography, Slovak Romanticism appears as a cultural initiative that combines the moment of rational evaluation of the socio-cultural situation of the Slovak national community in the middle of the 19th century with the constructivist (idealistic) moment. The various combinations of both moments lead in the Slovak Romantic literature to the creation of neo-mythological self-representations, which are discussed in the second part of the paper.
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THEORETICAL INITIATIVES IN SLOVAK LITERARY SCIENCE (Teoreticke iniciativy v slovenskej literarnej vede dvadsiateho storocia)

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Zajac P.
Slovak Review. A Review of World Literature Research
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2008
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vol. 17
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issue Spec. ed.
99-109
EN
The author of the study explores the dynamics of the peripeties in the developments in literary-scientific thinking in broader contexts of cultural life in Slovakia. He describes the individual personalities and points out the uniqueness of their contributions to the literary scientific discourse, as well as Slovak cultural milieu while depicting them as phenomena transcending national and cultural boundaries as well as boundaries among disciplines. The contexts of reflections between the poles of modernity and conservatism create: abstract art, visual avant-garde, Russian formalism, Viennese neo-positivism, psychoanalysis, structuralism and semiotics. The author outlines the semiotic conception of language and a whole range of transtextuality (intertextuality, paratextuality, metatextuality, architextuality and hypertextuality), metonymy and metaphor, the problem of the archeology of cultural memory, post-structuralism and pulsation aesthetics.
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