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Hudební produkce Žofínské akademie v letech 1841–1850

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Matějčková H.
Hudební věda (Musicology)
|
2011
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vol. 48
|
issue 2-3
173-200
EN
This study is aimed primarily at acquainting the reader with musical events presented by the Žofínská akademie / Sophien-Akademie during the first decade of this society’s existence, which is a topic that has not yet been investigated. In the programs of the various events, reconstructed based on press reports from the time, one can easily trace changes in their programming conception that resulted mainly from priorities established by the academy’s leaders. The study also includes a summary of the institution’s origin and structure, and characterizes the various types of musical events it presented or in which it participated.
2
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Augener & Co., London – neznámý Dvořákův nakladatel

100%
Matějčková H.
Hudební věda (Musicology)
|
2012
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vol. 49
|
issue 3
247-266
EN
In the course of research focusing on the history of publication of the works of A. Dvořák, printed editions have been discovered for five works that were issued in 1885 and 1886 by the London publishing house Augener & Co. The literature and sources concerning the life and work of A. Dvořák, however, make no mention of this publisher or of its editions of Dvořák’s music. The study maps the history and activity of the publishing house, devoting the greatest attention to describing the new sources and to consideration of the possible circumstances of their publication – Augener’s editions of Dvořák’s compositions appear to have been prepared on the basis of already issued printings by the Prague publisher F. A. Urbánek – and of aspects of publishing practice at the time, especially with regard to copyright issues.
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Hudební album Fr. A. Urbánka. K nereflektovaným vydáním děl Antonína Dvořáka, jeho současníků a k některým aspektům dobové nakladatelské praxe

100%
Matějčková H.
Hudební věda (Musicology)
|
2013
|
vol. 50
|
issue 3-4
299-334
EN
This study is dedicated to a collection of compositions titled Hudební album (A Musical Album), volumes of which were issued in print from 1891 until 1896 by the Prague publisher Fr. A. Urbánek. The collection focused primarily on piano compositions by contemporary Bohemian composers. The first part of the study is devoted principally to the contents of the collection and to the circumstances of its publishing, then the second part examines the printing of compositions by A. Dvořák (All through the night a bird will sing from the song cycle Evening Songs, op. 31, Furiant, op. 12/2, and Dumka, op. 12/1) in Hudební album in versions that differ from the first editions published by Fr. A. Urbánek. This fact has not yet been researched by Dvořák scholars.
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