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EN
Renaissance in England is frequently referred to as the „Golden Age”, but despite countless innovative views and ideas, many aspects of social life did not develop simultaneously. The analysis of the 16th-century courtesy books for women enables readers to have a closer look at the Renaissance ideal of a perfect woman and the upbringing process, to which she was subjected in order to reach perfection. The most valued traits, defined mainly by men, still did not let women free themselves from stiff etiquette rules imposed on them several centuries earlier. While a man was spreading his Renaissance wings, a woman was silently staring at the ground beneath her feet.
Studia Historyczne
|
2017
|
vol. 60
|
issue 2 (238)
73-93
PL
There were two “career paths” open to Renaissance women in England - entering a monastery or getting married. With the introduction of reformation the first option vanished. Getting married opened varying possibilities. On one hand the contemporary promotion of marriage reinforced the patriarchal system of the society (a man is its head and the woman and children are his subjects). On the other, the idea of a “companionate marriage” allowing husbands and wives a certain degree of equality was formulated for the first time also by sixteenth–century thinkers. The traces of the Renaissance debate on which form of life is more pious and pleasing to God – celibate or married – can also be found in the conduct literature for women, on top of other advice referring to marriage.
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Book Reviews

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Diana E Henderson, Collaborations with the Past: Reshaping Shakespeare across Time and Media, Ithaca: Cornell University Press, 2006. Pp. xi + 289. ISBN 978-0801444197. Vintage Shakespeare: New Perspectives From India and Abroad, eds. Prashant K. Sinha and Mohini Khot, Jaipur: Book Enclave, 2010. Pp. 240. ISBN 978-81-8152-271-9. The Tempest by William Shakespeare, ed. Sarbani Chaudhury, New Delhi: Pearson Longman, 2009. Pp. Liii +217. ISBN 978-81-317-0981-8. Elżbieta Stanisz, Kierunki Polskiej Szekspirologicznej Myśli Krytycznej w Dwudziestoleciu Miedzywojennym (1918-1939) [Shakespearean Criticism in Poland in the Inter-War Period], Toruń: Wydawnictwo Adam Marszałek, 2011. Pp. 290. ISBN 978-83-7611-887-1. Shakespeare: The Indian Icon, ed. Vikram Chopra, New Delhi: The Readers Paradise, 2011. Pp. xxvi + 836. ISBN 978-81-920751-2-9
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