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EN
The paper contains an interpretation of Mariusz Wilk’s concept of ‘nomadism’, ‘way’, and ‘wandering’, formulated in his 'North Diary' ('Wilczy notes', 'Wołoka', 'Dom nad Oniego', 'Tropami rena'). The author presents some parallels between Wilk’s vision and the ideas of his masters: Kenneth White’s idea of intellectual nomadism; the zen or buddhist concept of the wandering; and the religious-mythological ideas of Nikolai Kluiev, the poet inspired by the symbolic model of the Russian orthodox house. Pointing to similarities, the author observes that Wilk’s version of traveling is a very Russian one, i.e. his nomadism is an ideal of the maximalist life-art; it parallels the spiritual pilgrimage of body and mind; it is a type of mystical ascetism, which tries to transcend all intellectual or physical borders; and, finally, it is Russian in the author's emphasis on the identification of the ‘way’ with singing, and of creating a new world by singing.
Pamiętnik Literacki
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2012
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vol. 103
|
issue 3
143-181
EN
The study is devoted to the problems connected with the “gipsy theme” in Polish literature and culture at the turn of 19th and 20th c. and in the interwar period. It presents the results of research in the presence of Russian gipsy romance in Polish popular culture as well as shows its reception in Polish literary and musical criticism. The author also ponders over the phenomenon of connection between gipsy singing and Russian culture, over the Russian-gipsy emotionality fascination recorded in the romance and, in consequence, over Polish Russophobia. The present study deals also with the role and function of the gipsy themes present in Polish interwar poetry (K. Wierzynski, K. I. Galczynski, J. Tuwim, J. Czechowicz, and others). It analyses the literary pictures of a Gipsy, Romany women, the motifs of gipsy singing, references to gipsy nomadism, and gipsy magic.
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