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'Lovers of Marona'. A Study of the Somatisation of Self Identity

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Szymanska K.

Kwartalnik Filmowy

2008

issue 62-63

193-210

The article presents an interpretation of two different adaptations, Jerzy Zarzycki's (1966) and Izabella Cywinska's (2006), of Jaroslaw Iwaszkiewicz's novella 'Lovers of Marona'. The authoress, taking into the account historical change in how literature is adapted for the screen, contrasts these two very different readings of Iwaszkiewicz's work. By extracting autobiographical influences of Iwaszkiewicz from the narrative, she deconstructs the ways in which sexuality, embodiment and transformation of the identity of the main characters is portrayed.

THE THEATRE OF THE LUTHERAN SCHOOL AT LESZNO

100%

Szymanska K.

Odrodzenie i Reformacja w Polsce

2004

vol. 48

171-182

In the 17th and 18th centuries the Lutheran School at Leszno had its own theatre. Each year it staged plays prepared under the direction of its rector or conrector. The article presents information on this theatre collected on the basis of twelve documented productions of the years 1671-1765, as well as very few other sources. The subjects of these plays did not diverge from the repertoire of other Protestant schools in the Polish-Lithuanian Commonwealth at that time; plays dealt with the threads from the history of Poland (3), biblical history and history of Christianity (3). Of interest was the legend about the beginnings of the town of Leszno, based on the historical works of that era. Musical performances were a constant element of these productions. They were presented in public: each time invitations were printed, containing the programme, the construction of the play and a list of pupils-actors

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1 Kwartalnik Filmowy

1 Odrodzenie i Reformacja w Polsce

1 2008

1 2004

2 Szymanska K.

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'Lovers of Marona'. A Study of the Somatisation of Self Identity

THE THEATRE OF THE LUTHERAN SCHOOL AT LESZNO