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1

Тело и душа как объекты инициации (по роману Олега Постнова)

100%
Pudowa T.
Slavica Wratislaviensia
|
2011
|
vol. 153
423-432
EN
The article analyses a meeting of protagonists in the childhood in Fear novel. This meeting has determined their further life. The author has concentrated on the boy and the girl’s maturing as well as on relations between flesh and soul. Disharmony between K***’s flesh and soul becomes the reason of his fears and neurasthenia. As a result, such a condition of his mind leads to his suicide. The author of the novel compares the life of the protagonist to such writers as E.A. Poe, S. Kierkegaard, and N. Gogol. (There are a lot of quotations, allusions, reminiscences from Gogol’s Vij and Terrible revenge in the novel.) They are typologically very similar: all of them are alone, reserved, not understood by the environment, prone to depression, and aware of their own psychological non-standard. Writers to whom the author appeals, could direct overflowing energy to a creative channel at a certain stage of their life. Unlike them, energy of Postnov’s protagonists has been directed exclusively to self-damage.
2

Сон и явь в романе Олега Постнова Страх

100%
Pudowa T.
Slavica Wratislaviensia
|
2012
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vol. 155
289-296
EN
In the article the author analyzes how the effect of the psychical injury which the protagonist obtained in childhood affected his life and fate, reflected on his relation with women, ratio of emotional and corporal, dream and reality. Dream, night space appeared to be the main reality and content of his life. The author treats the dream as a possibility to interpret emotional and physical protagonist’s condition.
3
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„Маленький человек” в современном пространстве

100%
Pudowa T.
Studia Rossica Posnaniensia
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2012
|
issue 37
283-292
EN
The article analyzes the literary works of modern writers which are based on Gogol’s The Overcoat (Shinel). These stories and The Overcoat (Shinel) are united by a general theme – “the small person”. By addressing Gogol’s creativity the authors open up in what way the typical features of Gogol’s protagonist, Bashmachkin, have become true in the modern space.
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