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Válečné zločiny německé wehrmacht v německé badatelské diskusi posledního desetiletí

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Pesek J.
Český časopis historický (The Czech Historical Review)
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2009
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vol. 107
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issue 3
599-615
EN
This review article deals with the latest German historiographical research into the German military atrocities of World War II in Eastern Europe. The main focus of this research is laid on the mass murder of civilians and of Soviet and Polish prisoners of war, the question of mass rapes, the extermination of whole districts and the devastation of the occupied territories 'in the East'. The latest works can be considered a step forward towards a new understanding of this problem not only in terms of providing us with new analytic studies or new sources, but also by formulating new, innovative questions about the Nazi regime itself and its concept of 'total war' as well as its diverse relationship to the nations of Central and Eastern Europe.
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Sebereflexe a sebestylizace konzervativního německého vzdělance druhé poloviny 20. století. Nad knihou Joachima Festa „Já ne! Bolestné zrání v době nacismu“

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Pesek J.
Český časopis historický (The Czech Historical Review)
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2010
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vol. 108
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issue 2
258-277
EN
This study is devoted to the German conservative intellectual Joachim Fest, an influential journalist and cultural publicist of the post-war period. Above all, he was best known internationally as the exceptionally successful author of popular books and films on Nazism and its protagonists, Adolf Hitler and Albert Speer. A Czech edition of his Memoirs, highly stylized and specifically manipulative of the past, provides the impetus for this critical contemplation of his life and work. The Memoirs are then analysed in the second part of this review, with an emphasis on making the retro-active self-stylization of the German nationalist and conservative elites clear to understand.
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Proměny rolí i tváří divadla v “dlouhém 19. století“

100%
Pesek J.
Český časopis historický (The Czech Historical Review)
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2010
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vol. 108
|
issue 3
483-495
EN
This article discusses new German studies on the specifical political role of the opera theater in the 'long' 19th century in Central and Eastern Europe. They show the close relations between the modernization of theatre practice, culture as a whole and the changes in political culture. The transition from the (theatre) culture of the 'word' to the preference of the 'optical' played a major role in this process.
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