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EN
The paper presents a formal description and contents' analysis of Wincenty Lutoslawski's unpublished thesis entitled 'Aesthetisches Studium. Ueber das phonetische Element in der Poesie' drawn up yet in the undergraduate period. The main topic of Lutoslawski's study is the scientific research focusing on searching for the universal rhythmical patterns in poetry and in other versified texts. He undertakes a simple research procedure, which borrows some methodological rules from natural science, and this is probably connected with a fact that he studied chemistry and physics for about two years before he definitely returned to philosophy. For each historian of science Lutoslawski's work seems to be very much valuable, and especially because of the fact that the great scholar's output remains unknown. Undoubtedly, from a purely scientific point of view it is also significant, because the essential conceptions and postulates of the stylometric method that were presented in his work entitled 'The Origin and Growth of Plato's Logic..., harmonize with his early writings.
EN
Quantitative measurement of affinity between originals and translations is one of the most difficult tasks of quantitative linguistics. Statistical methods are efficient in the description of measurable, formal features of text, e.g. lengths or frequencies of linguistic units, but fail to grasp their semantic content. Consequently, they allow for reliable comparisons of parallel test samples based on well-defined criteria only. The subject of this contribution is the comparison of parallel Polish-Russian samples with regard to the distribution of stressed and unstressed syllables in the line of text. The time-series generated by the sequences of syllables are modelled by means of the ARIMA method (Box, Jenkins 1970). Numerical parameters of the estimated models reveal the most important sequential text characteristics, such as depth and strength of the contextual relationship, and make it possible to determine the general level of the rhythmical orderedness in text.
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