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Doleželovy fikční světy

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Fořt B.
Filosofický časopis (Philosophical Journal)
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2012
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vol. 60
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issue 3
337-341
EN
The theory of fictional worlds has developed, in the world context, since the 1970s and has, from its beginnings, been inspired by various logical and philosophical concepts. Today, in its fully established form, it offers concrete instruments and strategies suited to the solution of a wide range of literary-theoretical problems. The actual founding of the theory of fictional worlds is linked with the name of Lubomír Doležel, who later enriched its development with the key distinction between the extensional and intensional structures of fictional worlds. This distinction has enhanced the future instrumental potential of the whole theory. Nevertheless, due also to Doležel’s subsequent research in the area of fictional and historical narratives, one contemporary use of this theory has become its application to the questions of the identity of literature and the basis of fiction and the fictionality of literary works.
CS
Teorie fikčních světů se ve světovém kontextu rozvíjí od sedmdesátých let minulého století a od svých počátků je inspirována nejrůznějšími logickými a filozofickými koncepty. Dnes její plně ustavená forma nabízí konkrétní nástroje a strategie vhodné pro řešení široké škály literárně teoretických problémů. Samotné založení teorie fikčních světů je spojeno se jménem Lubomíra Doležela, který později její vývoj obohacuje o klíčové rozlišení mezi extensionální a intensionální strukturou fikčních světů. Tato distinkce rozvíjí budoucí instrumentální potenciál celé teorie. Nicméně i díky Doleželovu následnému bádání v oblasti fikčních a historických narativů se jedním ze současných použití této teorie stala její aplikace na otázky identity literatury a podstaty fikce a fikčnosti literárních děl.
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Transduction as an alternative to intertextuality in the realm of fictional worlds

100%
Fořt B.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
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2012
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vol. 73
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issue 4
366-367
EN
The investigation of intertextuality in the Czech scholarly milieu is traditionally demarcated by the Bakhtinian-Kristevan “broad” approach on the one hand, and by the Nitra School’s “technical” approach on the other. Nevertheless, it seems that one of the few Czech contributions to the topic, embodied in Lubomír Doležel’s conception of fictional worlds, namely in the notion of transduction, remains relatively unused. The theory of fictional worlds has taught us that fictional texts can be investigated not only as such but also on the level of the fictional worlds they underlie. The connections between literary works can thus be viewed against the background of all of the parts and procedures connected with a specific form of literary communication. Thus, an important aspect which is usually omitted by the classics of intertextuality is accented: the pragmatic aspect of the functioning of literary works. This aspect is implemented in the concept of transduction which actually enables literary scholars to investigate these relationships not only on the textual level (the intensional structures of fictional worlds), but also, equally importantly, on the level of story-worlds (the extensional structures of fictional worlds).
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