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  1. 2 Diaconu M.

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ENGAGEMENT AND RESONANCE: TWO WAYS OUT FROM DISINTERESTEDNESS AND ALIENATION

100%
Diaconu M.
ESPES
|
2017
|
vol. 6
|
issue 2
40 – 49
EN
Arnold Berleant’s enlargement of the scope of aesthetics to environments and social relationships opens the way for associations with approaches from other human and social sciences. One possible term of comparison is Hartmut Rosa’s theory of modernity, which applies the concept of resonance to various fields, including nature and art. At the beginning, their aims appear to be different and their alternatives slightly different: engagement stresses the continuity between the embodied self and the world, whereas resonance is primarily based upon a model of communication. Nevertheless, their relational theories converge in several respects: they focus on experience, defend participatory models against objectifying and merely contemplative relationships, and practise social criticism in their search for a meaningful and good life.
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COLLECTORS, COLLECTING AND NON-COLLECTIBLES. BETWEEN EVERYDAY AESTHETICS AND AESTHETICISM

100%
Diaconu M.
ESPES
|
2021
|
vol. 10
|
issue 2
134 – 150
EN
Collecting goes beyond art collecting and seems to meet a more general need. Although it originally aided survival and has predecessors in the animal world, the gesture of collecting has complex motivations. After exploring the collector’s psychology and the behavioural differences between collectors and spectators, this paper analyses the logic of collecting and its principles: order, variation, attractive and meaningful display, the control of contingency, processuality and growth, seriality, and limitation. Finally, the paradoxical attempt to collect non-collectibles, such as gods, clouds or human relations will be shown to illustrate a para-aesthetics of collecting which ranges from the poetics of everyday life to aestheticism.
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