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EN
The article deals with ways of displaying motifs of corporeality and problems that are evoked by the Stanisław Lem’s “Memoirs Found in a Bathub”. It begins with the description of the novel as an epistemological metaphorthat reproduces the universal picture of the 20th century science, then the current genological reception of the work is quoted, which allows the passage to its description as a work containing elements of French noveau roman.The text also deals with the role of subjectivism in Lem’s narrative strategy. The body described in the novel is an automatic, artificial body, serving as a mask. The whole reality of the novel’s internal world is interpretive, but itstill shows the hero’s pursuit of truth, the desire to know it. The aesthetics of the body in the text is compared to the body aesthetics of Gombrowicz, its social functions and philosophical context are also described, based on the reflection of Maurice Merleau-Ponty and Emmanuel Lévinas.
EN
This article discusses how the subjects of carnality, memory and dreams influence the reading of Lem's Solaris. The article starts with a discussion of the novel as an open text allowing for multiple interpretations, then it moves on to the innovation of the Alien model presented by Lem. The problems related to body, memory and sleep are generated in the text by the character of Harey, the double of the protagonist's long dead fiancée recreated on Solaris through Kelvin's memories. The author tries to answer the question of whether the woman can be called a human being and what exactly determines that − biology, or an act that is ethically marked? The article also describes the role of memory in the protagonist's internal metamorphosis, as well as mentioning the intertextual trope of Kochanka Szamoty by Stanisław Grabiński.
PL
Artykuł traktuje o tym, jak temat cielesności, pamięci i snu wpływa na lekturę Lemowskiej Solaris. Rozpoczyna się od ukazania powieści jako tekstu wielointerpretacyjnego i otwartego, następnie przechodzę do kwestii innowacyjności modelu Obcego zaprezentowanego przez Lema. Problemy związane z ciałem, pamięcią i snem generuje w tekście postać Harey: będąca sobowtórem dawno zmarłej narzeczonej głównego bohatera zostaje odtworzona na Solaris poprzez wspomnienia Kelvina. Staram się odpowiedzieć na pytanie, czy kobietę można nazwać istotą ludzką oraz co o tym decyduje. Biologia? Czyn nacechowany etycznie? Opisuję także rolę pamięci w zmianie zachodzącej w głównym bohaterze oraz wspominam o intertekstualnym tropie, jakim jest Kochanka Szamoty Stanisława Grabińskiego.
EN
The paper develops the implicit as well as explicit meaning which evokes Stanisław Lem’s concept of the Body and the Corporality portrayed in the novel Return from the Stars. Moreover, Lem’s novel about an astronaut Hal Bregg and his return on Earth is analysed. In this novel author uses the idea of Einstein’s twin paradox. Hal Bergg-the stereotype of masculinity-is confronted with decadent and egalitarian society, which may be refers to the reunion masculinity with femininity. Such storyline shows the multidimensionality of the issue of Corporality, and presents the Body as a epistemological metaphor of modernism and postmodernism. In addition, the Body is depicted in the Return of the Stars as a figure of a mask and a costume. Furthermore, the Body in Lem’s novel is also interpreted as part of the Universe-as the boundary between what is temporary and what is infinite and transcendent.
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